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The Wizard of Oz (1939)

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Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home in Kansas and help her friends as well.

Directors:

, (uncredited) | 3 more credits »

Writers:

(screenplay), (screenplay) | 3 more credits »
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Popularity
569 ( 229)
Top Rated Movies #232 | Won 2 Oscars. Another 7 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
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Pat Walshe ...
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Toto (as Toto)
The Singer Midgets ...
The Munchkins (as The Munchkins)
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Storyline

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by Dale Roloff

Plot Summary | Plot Synopsis

Taglines:

Gaiety! Glory! Glamour! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1939 (USA)  »

Also Known As:

El mago de Oz  »

Filming Locations:

 »

Box Office

Budget:

$2,800,000 (estimated)

Opening Weekend:

$5,354,311 (USA) (6 November 1998)

Gross:

$22,202,612 (USA) (11 October 2013)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System: The Voice of Action)| (2005 re-issue)

Color:

(Kansas sequences) (1949 re-release)| (Kansas sequences) (1955 re-release)| (Sepiatone)| (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Jack Haley did not use his normal speaking voice when playing the Tin Man, only when playing Hickory, one of the farm hands in Kansas. His normal speaking voice contained none of the almost falsetto-like quality that the Tin Man's did. This was Haley's own idea, and he himself said that this was the tone of voice that he used when relating bedtime stories to his then-small son, Jack Haley Jr.. See more »

Goofs

When the Witch challenges Dorothy to try to stay out of her way, the end of her broom is pointed toward the ground. In the very next shot it is pointed upwards. See more »

Quotes

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »

Crazy Credits

The Oz characters that Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr and Margaret Hamilton play are not actually listed in the cast list at the end; only their Kansas counterparts are. However, Billie Burke (who plays only Glinda the Good Witch) and Pat Walshe, who plays only Nikko, the Head Monkey, *are* listed in the closing credits as having played those characters. See more »

Connections

Referenced in The Cook (2008) See more »

Soundtracks

If I Only Had the Nerve/We're Off To See The Wizard
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Sung by Bert Lahr, Judy Garland, Ray Bolger, Jack Haley, and the singing voice of Buddy Ebsen
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

a milestone
12 November 2004 | by (Taichung, Taiwan) – See all my reviews

People talk about The Wizard of Oz as a backdrop to their lives; and how true that is. I just saw it again, DVD, for the first time in--gosh!--20 years. There was a little art house in Lansing Michigan USA that ran it back then, on the popular premise that there's nothing like TWoO on "the big screen." That's the last time I'd seen it, 'til today.

I guess the part that "gets" me about the movie is how the writers made it pretty plain that the Scarecrow, Tin Man, and Cowardly Lion really already had what they thought they were missing; that their respective problems were in misapprehending their own complete natures. That's a powerful statement for many of us. I found myself most touched in scenes where the Scarecrow was showing wisdom, the Tin Man feeling deeply ("...when I think of Dorothy in that awful place..."), and the Lion...well, maybe accomplishing this effect was harder in his case...what *is* true courage?

Anyway, if you're reading this here, you must be a movie weenie, and you've no doubt already seen the movie, so I'm not going to recite the usual "go see this movie" mantra.

I was just very touching to see this movie again, at this phase in my life.

I will mention a few more things about how I now see this movie as a "growed up" (I'm almost 50): It's interesting how you can see the production values of the time; the lot sets and special effects and so forth. This movie is a powerful example of how a good story overcomes limited means in other areas.

People who look back with disdain on the low-tech chintz of old movies can see in TWoO the magic ingredient; narrative solidity. And I'm not a pollyanna about this: I'm sure the underlying reality behind its making is rife with horror stories of expert disagreement, rewrites, discarding, jerryrigging, and the rest of it. But in the end, something like narrative love won out; and that's the important thing.

Oh: And having Harold Arlen write the music was good luck indeed. And orchestrations which cleverly appropriated very tasty new ideas in composition (polymodalism, non-standard phrasings, etc.) didn't hurt, either!

Geez, this movie is such a little universe....I'd better stop here.


142 of 182 people found this review helpful.  Was this review helpful to you?

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