Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by
While filming the scene where Dorothy slaps the Cowardly Lion, Judy Garland got the giggles so badly that they had to take a break in shooting. The director, Victor Fleming, took her aside, gave her a quick lecture, and then slapped her. She returned to the set and filmed the scene in one take. Fleming was afraid that this would damage his relationship with Garland and even told a co-worker he wished that someone would hit him because of how bad he felt, but Garland overheard the conversation and gave him a kiss on the nose to show that she bore no hard feelings. In the film she can still be seen to be stifling a smile between the lines "Well, of course not" and "My, what a fuss you're making". See more »
When the Witch of the West goes to check on the Ruby Slippers, she walks right up to the remains and clearly sets the straw end of her broom against the side of the house, partially covering the feet. In the next two shots showing the slippers and remains disappearing and the Witch's reaction to them, there is no sign of the broom and it appears that she is several feet away. See more »
She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
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The credits say "Photographed in Technicolor", not "Color Sequences by Technicolor", thus making it seem as if the entire film were made in color. It is not known if this was deliberately done to enhance the surprise when the picture turns into full three-strip Technicolor, but it is quite possible. Posters at the time also advertised the film as being in Technicolor, but made no mention of sepia tint or black-and-white. The advertisement for the film's first telecast, however, did say "in color and black-and-white" (the Kansas sequences were shown on TV in black-and-white, not sepia, until the 1990 telecast, when they were restored). See more »
I wish I could have followed the yellow brick road.
I remember watching this movie when they would air it once a year on CBS a few years back. Now it is shown on a couple of different networks quite frequently. This is a wonderful film for the whole family. Who wouldn't want to take a journey to the magical land of Oz?
I think that it is terrific how well this movie has held up over the years. It's going on sixty-two years since it was first released and yet, it is timeless. It is great to look back on a film that was made in the thirties, and compare it to the movies made in this day and age. This is a film that will just be something that stays around forever.
The Wizard of Oz is enjoyable for people of all ages. Everything about it brings a smile to my face. Wouldn't it be wonderful to just magically be transported to a land of talking trees and little munchkins? Of course it would be. The flying monkeys, a talking lion, the astounding ruby slippers, and everything else adds a special kind of magic to the screen.
The atmosphere and setting is magnificent. This is one of the things that makes the film so stunning. Anyway, the forest, the witch's castle, and even the farm is really well laid out.
I don't think that the casting could have been done any better. Judy Garland shines as the innocent Kansas girl. Her dancing and singing just brightens the whole story up. The lion, tin man, and scarecrow perform amazingly also. Everyone involved down to the littlest munchkin acts so well.
Even though this is a movie for everyone, it is categorized as a children's flick. The writing is good with very simple lines and problems, but slightly complex so we're not falling asleep of boredom.
What's left to say? Other things like the wardrobe, special effects, musical talents, and even the famous yellow brick road, are so well put together. Oz gives us an idea of what an almost perfect world would be like. No matter how old this movie becomes and we still look back on it, we'll still be able to enjoy at least one thoughtful movie. Classics never die. (Hence the name.)
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