| Bobby Breen | ... | Timothy Reid Jr. | |
| Alan Mowbray | ... | Jacques Bouton | |
| Ralph Morgan | ... | Timothy Reid Sr. | |
| Steffi Duna | ... | Pauline Dubini | |
| Clarence Muse | ... | Uncle Caton | |
| Sally Blane | ... | Claire Bouton | |
| Edwin Maxwell | ... | Martin Dill | |
| Charles Middleton | ... | Cass - Plantation Foreman | |
| Robert Greig | ... | Judge Louis Ravenal | |
| Lillian Yarbo | ... | Janie | |
| Matthew 'Stymie' Beard | ... | Gumbo (as Stymie Beard) | |
| Hall Johnson Choir | ... | Musical Ensemble | |
| rest of cast listed alphabetically: | |||
| Willie Best | ... | Chimney Sweep (uncredited) | |
| Stanley Blystone | ... | Slave Auctioneer (uncredited) | |
| Mildred Boyd | ... | Dancing Slave (uncredited) | |
| Don Brodie | ... | Slave Buyer (uncredited) | |
| Jack Carr | ... | Luke (uncredited) | |
| Ed Cassidy | ... | Slave Trader (uncredited) | |
| Jack Clisby | ... | Servant (uncredited) | |
| Charles Dixon | ... | Drummer (uncredited) | |
| Ruby Elzy | ... | Singer in Hall Johnson Choir (uncredited) | |
| Louise Franklin | ... | Dancing Slave (uncredited) | |
| Freddie Jackson | ... | Servant (uncredited) | |
| Lillian Randolph | ... | Slave (uncredited) | |
| Blue Washington | ... | Slave (uncredited) | |
| Marguerite Whitten | ... | Lulu (uncredited) | |
Directed by | |||
| Leslie Goodwins | |||
| Bernard Vorhaus | |||
Writing credits | ||
| Clarence Muse | (original story and screenplay) and | |
| Langston Hughes | (original story and screenplay) | |
Produced by | |||
| Sol Lesser | .... | producer | |
| Barney Briskin | .... | associate producer (uncredited) | |
Original Music by | |||
| Victor Young | (uncredited) | ||
Cinematography by | |||
| Charles Edgar Schoenbaum | (photography) (as Charles Schoenbaum) | ||
Film Editing by | |||
| Arthur Hilton | (film editor) | ||
Art Direction by | |||
| Lewis J. Rachmil | |||
Second Unit Director or Assistant Director | |||
| John Sherwood | .... | assistant director | |
| Lee Sholem | .... | assistant director (uncredited) | |
Sound Department | |||
| Richard Van Hessen | .... | sound technician | |
Special Effects by | |||
| Vernon L. Walker | .... | special effects (uncredited) | |
Costume and Wardrobe Department | |||
| Albert Deano | .... | wardrobe (as Albert Deanno) | |
Music Department | |||
| Hall Johnson | .... | vocal arranger | |
| Victor Young | .... | musical director | |
Other crew | |||
| Clarence Muse | .... | dance director (uncredited) | |
| Clarence Muse | .... | technical advisor (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
At times this movie is brilliant beyond my powers of description to note. At other times it turns stupid. Langston Hughes' poetry and powerful images dominate some scenes. At others we have the sight of Clarence Muse in a dress and veil, or Bobby Breen advancing the plot while Alan Mowbray does his best to make it interesting by a little judicious mugging. Even the musical numbers are erratically choreographed. The last may have been an attempt to either appease white audiences who would never see this movie or a choreographer utterly ignorant of jazz dancing. In 1939? It doesn't make sense. Perhaps it was shot, edited, tested and then someone else went back to do some ham-handed reshooting.
The problems I have with the execution of this movie cannot be denied, but its strengths are undeniable. Take a look at it and bear in mind that this was released in he same year as GONE WITH THE WIND.