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Millie Blake has a love affair that goes wrong, so Millie plays the field recklessly from that point on. When she finds out that one of the reckless players from her past has now cast his ... See full summary »
John Francis Dillon
Attorney Tom Cardigan is the discontented "mouthpiece" for Vanny Powers' mob. When Tom takes sweet June Perry as his mistress, she tries in vain to redeem him. But Powers decides Tom would ... See full summary »
Oliver Quade is a pitchman who follows state fairs that feature dog shows---which limits his territory more than a little---at which he sells encyclopedias...and does it well as he ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
The role previously played by Donald O'Connor will now be played by...Buck Jones?
Half prize-fighting film and half tearjerker, this programmer was one of the last films of melodrama tragedy queen Helen Twelvetrees, once a promising leading lady at RKO during the early sound era. Now a blowzy party girl, she and former prizefighter Robert Armstrong unofficially adopt the son of a late pal whom they were unaware he had. Young Donald O'Connor is the precocious youth who comes to adore them, and in one hysterically funny scene, Armstrong (who has obviously been knocked in the head one too many times) delivers a speech at O'Connor's commencement. When Jones takes over the part, it is obvious that the younger and older versions of the part look nothing alike, and tension erupts between "father" and "son" over Jones' desire to go into a prize-fighting career while Armstrong wants him to go off to college. It is the non-marriage between the two adoptive parents which motivates the title and their relationship which goes from antagonistic to affectionate. A moderately touching programmer, this is one of those unknowns that yearns to be re-discovered for its many charming moments.
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