Texas Ranger Dusty Rivers ("Isn't that a contradiction in terms?", another character asks him) travels to Canada in the 1880s in search of Jacques Corbeau, who is wanted for murder. He ... See full summary »
Cecil B. DeMille
Former buffalo hunter and entrepreneur Wyatt Earp arrives in the lawless cattle town of Wichita Kansas. His skill as a gun-fighter make him a perfect candidate for Marshal but he refuses ... See full summary »
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost? Written by
Rod Crawford <firstname.lastname@example.org>
Star Robert Preston, who played important roles in several DeMille productions, not only disliked the director personally but felt he was inept at directing actors. The scene where Preston, Stanwyck, and McCrea are trapped in the boxcar took two weeks to film and, according to Preston, DeMille had nothing but "Action," "Cut," and "Print" to say to the actors. He didn't seem to care about scenes that did not include action or spectacle. When Preston became a bigger star, he turned down offers to appear in other DeMille films and avoided any relationship or contact with him. See more »
After the train wreck, and during all the scenes that immediately follow, Barbara Stanwyck suddenly appears with a very stylish 1939 bobbed hairstyle which we had not seen before, and which, of course, is completely inappropriate to the time period during which the story is taking place. See more »
[informing Mollie that her husband Dick Allen is dead]
He'll be waiting for us ... at end of track.
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A fine example of studio-style film making. The script may not be history, but this is a movie, and not nearly as corny as most films by DeMille. The lead and supporting roles are all well cast and played. The effects are state of the art (for 1939). A film to relax by and get into.
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