Cowboy Ross McEwen arrives in town. He asks the banker for a loan of $2000. When the banker asks about securing a loan that large, McEwen shows him his six-gun collateral. The banker hands ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
Four passengers escape their bubonic plague-infested ship and land on the coast of a wild jungle. In order to reach safety they have to trek through the jungle, facing wild animals and attacks by primitive tribesmen.
Cecil B. DeMille
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost? Written by
Rod Crawford <firstname.lastname@example.org>
According to Lucius Beebe's book "Union Pacific" the gold spike was not "driven" in. Since a spike made from gold would be much too soft to drive into a railroad tie the spike was "driven" into a hole drilled in a specially prepared tie. This was done both in reality and for the movie. Following the ceremony the spike was pulled out (by hand) and a new tie was put down and an iron spike driven in. See more »
The golden spike ceremony shown in the movie is not true. The golden spike was lowered into an auger hole not driven. Gold is a soft metal and striking it as they did in the movie would have severely damaged it. The original golden spike now at Stanford University shows no mallet marks on the head. See more »
[informing Mollie that her husband Dick Allen is dead]
He'll be waiting for us ... at end of track.
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They don't make 'em like this anymore. Everything you could want in a film: romance, wit, drama, action. Barbara Stanwyck and Joel McCrea make an incredible on-screen duo. The train wreck scene at the end is especially impressive. Kudos to Cecil B. Demille for this work of art. I wish I could give this movie more than 10 stars! :)
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