In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King Edward IV of England. As each murder is accomplished he takes particular delight in removing small figurines, each resembling one of the successors, from a throne-room dollhouse, until he alone remains. After the death of Edward he becomes Richard III, King of England, and need only defeat the exiled Henry Tudor to retain power. Written by
Doug Sederberg <email@example.com>
Basil Rathbone was forced, due to scheduling conflicts, to simultaneously work on Rio (1939) during the first week of production. Rathbone's assignment on this film also effectively prevented him from being cast on the far more prestigious The Hunchback of Notre Dame (1939) at RKO. See more »
(at around 15 mins) A person can be seen walking past the window. See more »
You're more than a king, more than a man. You're a god to me!
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Rathbone and Karloff in chilling historical melodrama...
The bloody history of England has always been a ripe subject for films and this one is no exception. BASIL RATHBONE has quite a field day playing the ruthless and unscrupulous man who would later become Richard III and BORIS KARLOFF is his faithful executioner in this story of royalty run amok.
Rathbone is willing to commit murders brutal and grotesque in order to stop anyone else from getting in the way of the throne. But the film is flawed by a muddled script which has to deal with too much exposition in the way of explaining all the character relationships and the various nobles involved.
Karloff is quite effective as the executioner but really has little to do except sharpen his blades and deal roughly with various prisoners. It's not the sort of role he could really do anything deeper with. VINCENT PRICE shows promise in a good supporting role as Edward. He has an unforgettable scene in a wine contest with Rathbone wherein he eventually falls into a drunken stupor and is thrown into a vat of wine by Karloff and Rathbone.
JOHN SUTTON at least gets more screen exposure than he usually got in his early years as a second string actor, mostly in Warner films with Flynn and Davis. NAN GREY does nicely as his loyal sweetheart who is reunited with him for the finale.
Not quite as chilling today as it was when I saw it years ago and much of it is too labored with exposition of historical facts.
TCM is showing an excellent print that demonstrates how expertise the cameramen were with their B&W cinematography.
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