In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ...
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Noble-born cad Denis (Stapley) has been tricked into a forced stay at the eerie manor of the Sire de Maletroit (Laughton), an evil madman who can't get over the death of his beloved, twenty... See full summary »
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King Edward IV of England. As each murder is accomplished he takes particular delight in removing small figurines, each resembling one of the successors, from a throne-room dollhouse, until he alone remains. After the death of Edward he becomes Richard III, King of England, and need only defeat the exiled Henry Tudor to retain power. Written by
Doug Sederberg <email@example.com>
After a preview screening in November, 1939, studio heads were alarmed that the score contained nothing but period music and ordered a new score be written. Time considerations ultimately prevented this, with Frank Skinner cobbling together pieces from his score from Son of Frankenstein (1939). Only pieces of the original score survived the final cut. See more »
(at around 15 mins) A person can be seen walking past the window. See more »
You're more than a king, more than a man. You're a god to me!
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Tower of London is as sinister as Basil Rathbone, Boris Karloff and the rest of Universal's horror department can make it. Although the picture is not without its weaknesses, lack of thrills is not one of them. Neither is the casting--Rathbone and Karloff are savage enough to please the most bloodthirsty. Karloff enjoys his role as executioner and spends plenty of time in his torture chamber.
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