In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Noble-born cad Dennis (Stapley) has been tricked into a forced stay at the eerie manor of the Sire de Maletroit (Laughton), an evil madman who can't get over the death of his beloved, ... See full summary »
A group of adventurers head deep into a South American jungle in search of ancient Incan treasure. A beautiful woman, brought to their camp by hired bearers, has come to join her husband, a... See full summary »
Douglas Fairbanks Jr.,
Glamorous and efficient Helen Murphy runs a service that will provide any type of assistance to wealthy customers, but what she's really looking for is a man who can take care of himself. ... See full summary »
Rowland V. Lee
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King Edward IV of England. As each murder is accomplished he takes particular delight in removing small figurines, each resembling one of the successors, from a throne-room dollhouse, until he alone remains. After the death of Edward he becomes Richard III, King of England, and need only defeat the exiled Henry Tudor to retain power. Written by
Doug Sederberg <email@example.com>
After a preview screening in November, 1939, studio heads were alarmed that the score contained nothing but period music and ordered a new score be written. Time considerations ultimately prevented this, with Frank Skinner cobbling together pieces from his score from Son of Frankenstein (1939). Only pieces of the original score survived the final cut. See more »
(at around 15 mins) A person can be seen walking past the window. See more »
You're more than a king, more than a man. You're a god to me!
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When one has seen the Shakespearean treatment of this story, it falls far short of the masterwork. That said, it isn't fair to compare a low budget period movie to Shakespeare. I think what I did like about it, though, is its visuality. I liked Karloff going through a day's work, putting one more weight on a guy they're suffocating, like a cook checking to see if there's enough salt in the soup. I really like Basil Rathbone. Of course the Sherlock Holmes movies are my favorites, but he is a consummate actor and rises above everyone else in the story. I was disappointed in the lack of character development other than Richard and the silly romantic subplot.
Karloff ,also, should have had his moment to confront Richard since he is a fictionalization anyway.
It was neat seeing Vincent Price begin his mugging, whining characterization of the ineffectual son of the king. I did like the drinking scene but wonder why no one else was there to observe the result. Richard (Rathbone) seemed to have an awfully easy row to hoe. I was also disappointed in the big battle scene at the end, but won't spoil it here.
All in all, I liked looking at this movie, but felt sort of empty at the conclusion. Also, where does it come off as a horror movie, other than the rather comical dungeon scenes?
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