|Index||3 reviews in total|
"They all came out" is the first feature film made by Jacques Tourneur in
US, after a series of short features directed for MGM in the 1930s.
In fact this one too first was conceived to be a short documentary about federal prisons. In his interview given in 1964 to Simon Mizrahi, Tourneur describes complicated story of the making of the movie. First director went to Washington where he visited different prisons in order to film documentary. When the short film was ready, Louis B. Mayer saw it and asked Tourneur to add more 20 minutes of footage and turn it into something of a half-feature, as an experiment. At this time Tourneur in cooperation with John Higgins wrote a story, which became the story of the film, about a young man that goes out of jail and tries to re-enter normal life while his former friends prepare to commit another crime and drag him along. Tourneur filmed it and showed it to L. B. Mayer again, who end up liking it and asking director to add 1/2 hour more and turn it into feature film. Tourneur and Higgins had to put all their imagination to work in order to invent some new scenes and make movie longer. After seeing the film it was virtually impossible to understand that it went through these three stages in it´s making unless you knew all about it before. Quite an interesting early work from Jacques Tourneur, worth seeing for addicted movie buff only. 7/10
What starts out as a typical criminals-on-the-lam movie turns into a didactic moral lesson to prove to its probably youthful viewers that crime does not pay. What is surprising is that in spite of the clichés, the talented acting of the principles make the film much more poignant than it could have been. Tom Neal (most memorable in the classic "Detour") plays with youthful sincerity. His conversion makes it hard to believe that later he was involved in a violent and criminal life himself and actually did time for murder. Rita Johnson is completely winning, as opposed to her obnoxious character as Ray Milland's girlfriend in "The Major and the Minor". She brings her own sincerity to her stereotyped character and makes it more believable. The emotional impact of the film is also the result of the script's mixed dramatic and documentary approach showing the characters from inside and out, and Jacques Tourneur's perfect pacing.
The usual misunderstanding-paves-way-for-embarrassing-situations plot is backed by Tom Keane's everyman and a marvelous supporting cast. The pace is brisk. The chemistry is fine. Charles Lane has a standout bit as a psychiatrist. Some intriguingly shadowy camera work makes the suspense part of this comedy more interesting than most.
|Ratings||External reviews||Plot keywords|
|Main details||Your user reviews||Your vote history|