Little Pinks is in love with a nightclub singer named Gloria. But it is a unrequited love as she does not know that he exists. Pinks is a shy busboy and Gloria only goes out with men who ... See full summary »
Because his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Conneecticut. While he is finding a theme for ... See full summary »
A semi-documentary dramatization of five weeks in the life of Vice Admiral William F. "Bull" Halsey, Jr., from his assignment to command the U.S. naval operations in the South Pacific to the Allied victory at Guadalcanal.
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A fictional-story film in which many of the people seen in it are using their real name portraying the character who shows up in this fictional film in a completely fictional-and-staged setting, which means their role name is their own name, and is not any combination of "Self": The fictional J. D. Forbes, head of the (fictional) Four Star Studios in Hollywood, informs his associate producers that business and attendance at Four Star Films has tanked, and changes must be made. J. D. has decided that the movie-going public has to be offered down-to-earth entertainment such as that offered by a band leader named Kay Kyser, who puts on a radio and-live theatre program called "The Kollege of Musical Knowledge," and Forbes dictates to his hirelings to "get me Kay Kyser." When Chuck Deems---a fictional character playing the manager of a 'real' band---gets the studio offer, he and band members Ginny Simms, Sully Mason, Ish Kabiddle, Harry Babbitt and the others are all fired up at the ... Written by
Les Adams <email@example.com>
This movie provides a rare opportunity to see three of the most influential Hollywood columnists active at the time. Sheilah Graham, Hedda Hopper and Jimmy Starr all appear as themselves in the press conference / party scene at the house. See more »
This is Kyser's first film and it sparkles with bounce and personality. Credit director Butler for keeping things moving, and band members for showing that making music is not their only talent. Kyser himself is a delight with real comedic skill. I like the way he allows his plain looks to blend into the story-line; at the same time, it's rather refreshing to see a less-than-handsome face in the starring role. And, of course, there's the lovely and toothsome Ginny Simms, singing her way into my heart, at least. I gather Kyser's band were not concert performers like Goodman's, Dorsey's or Miller's, but were more for fun and sheer entertainment. They certainly succeed here.
The story itself amounts to a clever spoof on movie-making, with Menjou as the studio schemer, and includes assorted real-life gossipers of the day like Hedda Hopper. And, oh yes, mustn't forget the hilarious screen test, where Lucille Ball matches Kyser pratfall for pratfall. Knowing how her career will eventually turn out, this is a tasty glimpse of things to come. Then there's the old gal who plays Grandma (May Robson) who is a real hoot with genuine sass and sparkle. We also get about 20 minutes of the Kyser radio show Kollege of Musical Knowledge. It's enlightening for those of us not old enough to remember; however, I think 10 minutes would have been enough. Nonetheless, the movie never drags, and is really a lot more fun than many other musicals featuring bigger name bands and celebrities. All in all, "That's Right..." amounts to an unexpected movie delight.
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