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That's Right - You're Wrong (1939)

Approved | | Music, Comedy | 24 November 1939 (USA)
Radio sensation Kay Kyser and his band are lured to Hollywood to make a movie, but the screenwriters assigned to the project have difficulty tailoring a script to Kyser's persona.

Director:

Writers:

(screen play) (as William Conselman), (screen play) | 2 more credits »
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Cast

Complete credited cast:
...
...
...
...
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Chuck Deems - the Band Manager
...
Tom Village - a Screenwriter
...
...
Jonathan Forbes
...
Dwight Cook - a Screenwriter
Kay Kyser Band ...
Kay Kyser's Band (as Kay Kyser's Band)
...
...
Sully Mason ...
M.A. Bogue ...
Ish Kabibble (as Ish Kabibble)
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Storyline

A fictional-story film in which many of the people seen in it are using their real name portraying the character who shows up in this fictional film in a completely fictional-and-staged setting, which means their role name is their own name, and is not any combination of "Self": The fictional J. D. Forbes, head of the (fictional) Four Star Studios in Hollywood, informs his associate producers that business and attendance at Four Star Films has tanked, and changes must be made. J. D. has decided that the movie-going public has to be offered down-to-earth entertainment such as that offered by a band leader named Kay Kyser, who puts on a radio and-live theatre program called "The Kollege of Musical Knowledge," and Forbes dictates to his hirelings to "get me Kay Kyser." When Chuck Deems---a fictional character playing the manager of a 'real' band---gets the studio offer, he and band members Ginny Simms, Sully Mason, Ish Kabiddle, Harry Babbitt and the others are all fired up at the ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

THE LAUGH-SWING SENSATION OF THE CENTURY! See more »

Genres:

Music | Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

24 November 1939 (USA)  »

Also Known As:

De schrik van Hollywood  »

Box Office

Budget:

$253,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the movie, Kay Kyser mentions having come from Rocky Mount, North Carolina. That was his real home town, and also the birthplace of modern jazz musician Thelonious Monk. See more »

Quotes

Grandma: Hang on to your happiness with both hands, dear. You can only be young once.
See more »

Crazy Credits

Listed in the acting credits were "The College of Musical Knowledge", but that referred to Kay Kyser's audience at the radio program, which he called "students." See more »

Connections

Referenced in Hollywood Canine Canteen (1946) See more »

Soundtracks

Fit to Be Tied
(1939)
(Published as "I'm Fit to Be Tied")
Written by Walter Donaldson
Played by the Kay Kyser Band (uncredited) and sung by Ginny Simms (uncredited)
See more »

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User Reviews

 
A short course in the Kollege of Musical Knowledge
26 January 2003 | by (Silver Spring, MD) – See all my reviews

The head of a big Hollywood studio is tired of making movies which are artistic successes but commercial flops, so he comes up with the idea of filming the nation's hottest live act - Kay Kyser's Kollege of Musical Knowledge. One of his producers just happens to have 2 writers working on a script about a bandleader, so Kay Kyser and band are brought to Hollywood to become movie stars. Unfortunately, the script calls for the bandleader to be a romantic lead, which Kay Kyser obviously isn't. After a few humorous twists and turns, Kyser and band are back on the radio where they belong.

The movie within the movie which never gets made is actually the movie you're watching, and it is obviously little more than an excuse to get Kay Kyser's act on film. The highlight, however, is Kyser's screen test in which he's a romantic gondolier playing opposite studio star Sandra Sand (Lucille Ball). You have to be familiar with his stage personality to appreciate the absurdity of it, and you will be by the time this comic gem of a scene appears. There are some other good comic moments, but the production is otherwise pretty weak. The musical act itself is dated and not likely to appeal to a modern audience unless they happen to have nostalgic yearnings for pre-television radio shows. Nevertheless, Kay Kyser and his movie have a good-natured attitude and whimsical touch which can certainly lift your spirits if you give them the chance.


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