More fictional than factual biography of Stephen Foster. Songwriter from Pittsburgh falls in love with the South, marries a Southern gal (Leeds), then is accused of sympathizing when the ... See full summary »
A concert violinist becomes charmed with his daughter's talented piano teacher. When he invites her to go on tour with him, they make beautiful music away from the concert hall as well. He ... See full summary »
In the pre-Civil War South, a plantation owner dies and leaves all his possessions, including his slaves, to his young son. While the deceased treated his slaves decently, his corrupt ... See full summary »
More fictional than factual biography of Stephen Foster. Songwriter from Pittsburgh falls in love with the South, marries a Southern gal (Leeds), then is accused of sympathizing when the Civil War breaks out. Written by
Ed Stephan <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 2, 1945 with Al Jolson reprising his film role. See more »
The film's final scene is wholly inaccurate; there was no performance by E.P. Christy on the day that Foster died. In reality, Christy actually died nearly two years before Foster; he committed suicide by throwing himself from a window at his home in New York City in May 1862; Foster himself died in January 1864. See more »
Proof that not every 1939 release was part of the Golden Age. It's the life and not-so-hard times of Stephen Foster (Don Ameche), who despite a heart condition and a taste for the drink manages to crank out hit after hit. This is the cliched sort of composer bio in which every key event turns out to be instant inspiration for a new ditty, and the moment an on-screen audience hears a new song it can immediately join in for a reprise and know all the words. Still, Al Jolson is sturdy as E.P. Christy, the Technicolor is ravishing, and there are several convincing recreations of minstrel show numbers...and that last fact is why you won't see this film around, no way.
It's just not P.C. to show all that blackface any more, let alone the condescending approach to black people. (When Foster has ripped off "Oh Susannah" from a slave work song but is stuck on the last line, Jeannie--she of the light brown hair fame--comments that she's grown up among black music, their simple culture..."Hmmm...Here's how I think the Negroes would end it." Bingo, smash hit.) "Swanee River" is no great shakes as a movie, but it's a shame that people can't see it because of cowardice.
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