More fictional than factual biography of Stephen Foster. Songwriter from Pittsburgh falls in love with the South, marries a Southern gal (Leeds), then is accused of sympathizing when the ...
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Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds"... See full summary »
Alexander Graham Bell falls in love with deaf girl Mabel Hubbard while teaching the deaf and trying to invent means for telegraphing the human voice. She urges him to put off thoughts of ... See full summary »
Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
More fictional than factual biography of Stephen Foster. Songwriter from Pittsburgh falls in love with the South, marries a Southern gal (Leeds), then is accused of sympathizing when the Civil War breaks out. Written by
Ed Stephan <email@example.com>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 2, 1945 with Al Jolson reprising his film role. See more »
The film's final scene is wholly inaccurate; there was no performance by E.P. Christy on the day that Foster died. In reality, Christy actually died nearly two years before Foster; he committed suicide by throwing himself from a window at his home in New York City in May 1862; Foster himself died in January 1864. See more »
This is hardly an accurate biography of songwriter Stephen Foster, but it's an awfully good movie thanks to its beautiful score, breathtaking photography, and scenic design. Its pictorialization of antebellum America and the South in particular rival the same year's Gone With the Wind. Producer Darryl Zanuck was especially gifted at producing these Techniciolor extravaganzas, and this one's as good as it gets. Even if one can't stand the story,--and it's a sad one--the movie is worth seeing and hearing for the remarkable skill with which it was made. Don Ameche is a pleasing Foster, and Al Jolson is on hand as Christy (of the OLD Christy Minstrels fame), and sings the songs with a gleefully vaudevillean relish which at times seems a bit over the top for the historical period. On the other hand the movie seems quite accurate in other respects and feels, to me, more like nineteenth century America than 1939.
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