IMDb > The Story of Vernon and Irene Castle (1939)
The Story of Vernon and Irene Castle
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The Story of Vernon and Irene Castle (1939) More at IMDbPro »


Overview

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Director:
Writers:
Richard Sherman (screen play)
Oscar Hammerstein II (adaptation) ...
(more)
Contact:
View company contact information for The Story of Vernon and Irene Castle on IMDbPro.
Release Date:
29 March 1939 (USA) See more »
Genre:
Plot:
This is the film version of Vernon and Irene Castle, sensational ballroom dancers prior to World War I. Full summary » | Add synopsis »
Awards:
1 nomination See more »
User Reviews:
An added poignancy with the years See more (29 total) »

Cast

  (in credits order) (verified as complete)

Fred Astaire ... Vernon Castle

Ginger Rogers ... Irene Castle
Edna May Oliver ... Maggie Sutton

Walter Brennan ... Walter
Lew Fields ... Lew Fields
Etienne Girardot ... Papa Aubel
Janet Beecher ... Mrs. Foote
Rolfe Sedan ... Emile Aubel
Leonid Kinskey ... Artist
Robert Strange ... Dr. Foote
Douglas Walton ... Student Pilot
Clarence Derwent ... Papa Louis
Sonny Lamont ... Charlie
Frances Mercer ... Claire Ford
Victor Varconi ... Grand Duke
Donald MacBride ... Hotel Manager
rest of cast listed alphabetically:
Buzz Barton ... Bit Part (uncredited)
Max Barwyn ... Bit Part (uncredited)
Brooks Benedict ... Stockbroker (uncredited)
Joe Bordeaux ... Bit Part (uncredited)
Eugene Borden ... Frenchman (uncredited)
Lynton Brent ... Mechanic (uncredited)
Mary Brodel ... Irene's Girlfriend (uncredited)
Don Brodie ... Stage Manager at Benefit (uncredited)
Neal Burns ... Bit Part (uncredited)

Marge Champion ... Irene's Girlfriend (uncredited)
Tom Chatterton ... Announcer at Benefit (uncredited)
Willis Clare ... Bit Part (uncredited)
Frank Coghlan Jr. ... Boy in Montage (uncredited)
James Conaty ... Man in Montage (uncredited)
Armand Cortes ... Wardrobe Man at Benefit (uncredited)
Adrienne D'Ambricourt ... French Landlady (uncredited)
Roy D'Arcy ... Actor in 'Patria' (uncredited)
Hal K. Dawson ... Man in Balcony in Fields Audience (uncredited)
Dick Dennis ... Singer (uncredited)
Elspeth Dudgeon ... Lady Bolton (uncredited)
Dick Elliott ... Train Conductor (uncredited)

Frank Faylen ... Adjutant (uncredited)
Billy Franey ... Bit Part (uncredited)
Jack Gargan ... Soldier in Nightclub (uncredited)
Dorothy George ... Small Role (uncredited)
Jack George ... Orchestra Conductor - Paris (uncredited)
Wesley Giraud ... Newsboy at Train Station (uncredited)
Eleanor Hansen ... Irene's Girlfriend (uncredited)
Neal Hart ... Bit Part (uncredited)
Ethel Haworth ... Irene's Girlfriend (uncredited)
Russell Hicks ... Colonel (uncredited)
Leyland Hodgson ... British Sergeant (uncredited)

George Irving ... Colonel's Aide (uncredited)
Ida May Johnson ... Small Role (uncredited)
Tiny Jones ... Lady in Revolving Door (uncredited)
Jacques Lory ... French Cab Driver (uncredited)
Dorothy Lovett ... Bit Part (uncredited)
Max Lucke ... Frenchman in Hotel (uncredited)

Hugh McArthur ... Bit Part (uncredited)
David Mcdonald ... Army Pilot (uncredited)
Louis Mercier ... French Singer (uncredited)
John Meredith ... Army Pilot (uncredited)
Frank Mills ... Frank - Stage Manager at Benefit (uncredited)
Bruce Mitchell ... Movie Director (uncredited)
Edmund Mortimer ... Nightclub Extra (uncredited)
Leonard Mudie ... British Officer (uncredited)
Esther Muir ... Bit Part (uncredited)
Emmett O'Brien ... Drag Dancer at Benefit (uncredited)
Frank O'Connor ... Bit Part (uncredited)
Milton Owen ... Recruiter (uncredited)
Bill Patton ... Bit Part (uncredited)
Steve Pendleton ... Adjutant (uncredited)
Jack Perrin ... Bit Part (uncredited)
Joe Polosci ... Newsboy at Train Station (uncredited)
Fred Reinhold ... Small Role (uncredited)
Jack Richardson ... Old Man in Montage (uncredited)
Jean Sablon ... Piano Specialty (French Version of 'The Darktown Strutters ' Ball' (uncredited)
Jean Stevens ... Small Role (uncredited)
Kay Sutton ... Girl with Stockbrokers (uncredited)
Fred Sweeney ... Streetcar Conductor (uncredited)
D.H. Turner ... Bit Part (uncredited)
Ellinor Vanderveer ... Guest with the Grand Duke (uncredited)
Theodore von Eltz ... Bit Part (uncredited)
Allen Wood ... Flower Delivery Boy on Bus (uncredited)
William Worthington ... Man Reading Newspaper (uncredited)
Lillian Yarbo ... Mary - Claire's Maid (uncredited)

Directed by
H.C. Potter 
 
Writing credits
Richard Sherman (screen play)

Oscar Hammerstein II (adaptation) and
Dorothy Yost (adaptation)

Irene Castle (based on stories: "My Husband" and "My Memories of Vernon Castle" by)

Produced by
George Haight .... producer
 
Original Music by
Robert Russell Bennett (uncredited)
 
Cinematography by
Robert De Grasse (photographed by) (as Robert de Grasse)
 
Film Editing by
William Hamilton (edited by)
 
Art Direction by
Van Nest Polglase 
 
Set Decoration by
Darrell Silvera (set decorations)
 
Costume Design by
Edward Stevenson (uncredited)
 
Makeup Department
Mel Berns .... makeup artist (uncredited)
 
Production Management
Pandro S. Berman .... in charge of production
 
Second Unit Director or Assistant Director
Argyle Nelson .... assistant director
 
Art Department
Perry Ferguson .... associate art director
 
Sound Department
Richard Van Hessen .... recordist
 
Special Effects by
Vernon L. Walker .... special effects
 
Camera and Electrical Department
John Miehle .... still photographer (uncredited)
 
Costume and Wardrobe Department
Irene Castle .... designer: costumes worn by Miss Ginger Rogers
Walter Plunkett .... wardrobe and ensembles
Eugene Joseff .... costume jeweller (uncredited)
 
Editorial Department
Douglas Travers .... montage
Robert Wise .... assistant editor (uncredited)
 
Music Department
Victor Baravalle .... musical director
Robert Russell Bennett .... orchestrator (uncredited)
Hugo Friedhofer .... music arranger (uncredited)
Edward B. Powell .... music arranger (uncredited)
Leonid Raab .... music arranger (uncredited)
David Raksin .... music arranger (uncredited)
Roy Webb .... music arranger (uncredited)
 
Other crew
Irene Castle .... technical advisor
Hermes Pan .... dance director
Lawrence Grant .... flight technical advisor (uncredited)
Leigh Jason .... director: additional scenes (uncredited)
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
93 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Victor System)
Certification:
Finland:S | Spain:7 | UK:U (passed with cuts) | USA:Approved (PCA #4853)

Did You Know?

Trivia:
The ninth (of ten) dancing partnership of Fred Astaire and Ginger Rogers. The last Astaire and Rogers musical fro RKO Studios and the only film based on a true/biographical story.See more »
Goofs:
Factual errors: Walter, the Foote's and later the Castle's servant/ factotum, was in reality a black man.See more »
Movie Connections:
Referenced in Deep in My Heart (1954)See more »
Soundtrack:
While They Were Dancing AroundSee more »

FAQ

This FAQ is empty. Add the first question.
18 out of 22 people found the following review useful.
An added poignancy with the years, 24 October 2005
Author: theowinthrop from United States

Do people watch Astaire and Rogers films for more than the pleasure of their dancing and singing? Both performed the dialog parts in their musical comedies well too, but most people think of their movies as a series of opportunities to see great dance numbers and to hear music by Gershwin, Kern, Berlin, Porter, or Youmans. I doubt if they recall the plots.

"Flying Down To Rio" deals with a traveling orchestra that assists in advertising a hotel in Rio De Janairo. Nobody recalls that, but they recall Youmans' melody "Orchids in the Moonlight" and his dance (for Astaire and Rogers) "The Carioca". They also remember the big production number of the young women on the airplane wing ("Ah, Rio, Rio by the Sea - Oh!"). Except for that, few recall the hero is Gene Raymond and the heroine is Delores Del Rio. The running gag of the three agents of the bank that is trying to sabotage the new hotel (and who are only seen as top hatted shadows) may be recalled - but it isn't really worth recalling.

In the later musicals the same problems exist. The story of "Gay Divorcée" (originally "Gay Divorce" on Broadway) is how Rogers hires Eric Rhodes to be found with her at a resort hotel so her husband can have grounds for divorce. The Porter score including "Night and Day" and "The Continental" was good - but who recalls the plot (though Rhodes is very funny as the perpetual hired "other man" for instant divorces. The final irony of the plot (almost like a flat joke's punch line) is that Eric Blore knows a nasty secret about the husband, who (for his own reasons) does not want a divorce.

The series did try to tie the couple down to more than frivolous plots dealing with mistaken identities or fake personalities. FOLLOW THE FLEET and CAREFREE tried to have plots dealing with sailors putting on a show and with a psychologist falling in love with a patient who was engaged to his best friend (Ralph Bellamy, of course). Both were amusing, but rather slapdash. CAREFREE had a curious concluding moment, when a hypnotized Rogers is literally slapped out of her state of hypnosis. Rogers looks like she has been the victim of domestic violence as she is married.

By 1939 Astaire and Rogers were tired of the series, and wanted to go their separate ways. The public was also getting tired of the series. So finally they were given a property that reversed the formula. Instead of the music and dancing ornamenting a bare plot, the plot incorporated the music and dance by telling the story of the greatest ballroom dance team of the first half of the 20th Century, Vernon and Irene Castle.

I have often felt that had Vernon Castle lived beyond 1917 into the period of talkie movies, and stayed married to Irene, they might have been in some of the Astaire Rogers films (the choreography of two rival couples dancing would have been fascinating). Vernon might have played a mentor or rival or father to Fred. But it wasn't to be. As the film shows Vernon (who was English-born) enlisted in the Air Corps in 1917, and was killed in a freak accident saving the life of a pilot he was training (the scene in the film is quite savage in showing the crash).

In the four years (1913 - 1917) when they swept the world with their mastery of dancing, Vernon and Irene Castle became leading celebrities. The film follows the slow steps to fame they took, including getting stuck for awhile in Paris because Vernon was hired only to be a comic actor, not to be a dancer. It shows how Edna Mae Oliver (as their agent and friend) gets them the breaks they deserve, and how they end as figures of social change (ballroom dancing regained popularity, and they did create not only fashions for men and women but also "the Castle Walk" dance step). That this all happened in four years suggests what their impact would have been if they lived into the 1940s together (Irene Castle died in the 1960s).

There are some delightful moments in the film: Ginger Rogers auditioning for her date Fred Astaire by doing "Yama Yama Man" complete with a costume in her parlor. She is imitating the originator of the song, Bessie McCoy. Walter Brennan trying to protect Rogers from Astaire (whose intentions he constantly suspects). Watch him in a small scene watering the grass of the lawn, and ignoring Astaire's questions. Oliver noticing the rhythmic swaying of the overhead lamp in her apartment due to the dancing going on upstairs (where Fred and Ginger are dancing). But what is best is the feeling of impending doom over the couple. We know Vernon is going to die so that means their success and their life together will end soon.

This sense of doom makes "The Story of Vernon and Irene Castle" unique among the Astaire - Rogers films - it is a downer. There is no getting away from the loss of happiness Irene Castle suffered, nor the loss of talent the theater and dance world suffered. The concluding moment of the film always haunted me - Irene and Vernon dancing in spirit together, twirling in a never-ending, eventually disappearing embrace. When I saw the film the first time, Irene Castle was still alive. The second time she was gone but the two stars were still living. Now Fred and Ginger are gone too. That final ghostly dance manages to encompass two sets of dance legends, and increases the sadness that surrounds this - to me - best of their films.

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