| Photos (See all 48 | slideshow) | Videos (see all 3) |
| Claire Trevor | ... | Dallas | |
| John Wayne | ... | Ringo Kid | |
| Andy Devine | ... | Buck | |
| John Carradine | ... | Hatfield | |
| Thomas Mitchell | ... | Doc Boone | |
| Louise Platt | ... | Lucy Mallory | |
| George Bancroft | ... | Curley | |
| Donald Meek | ... | Peacock | |
| Berton Churchill | ... | Gatewood | |
| Tim Holt | ... | Lieutenant | |
| Tom Tyler | ... | Luke Plummer | |
| rest of cast listed alphabetically: | |||
| Dorothy Appleby | ... | Girl in Saloon (uncredited) | |
| Frank Baker | ... | (uncredited) | |
| Chief John Big Tree | ... | Indian Scout (uncredited) | |
| Ted Billings | ... | Bit Part (uncredited) | |
| Wiggie Blowne | ... | Bit Part (uncredited) | |
| Danny Borzage | ... | (uncredited) | |
| Ed Brady | ... | Lordsburg Saloon Owner (uncredited) | |
| Fritzi Brunette | ... | Bit Part (uncredited) | |
| Yakima Canutt | ... | Cavalry Scout (uncredited) | |
| Nora Cecil | ... | Boone's Landlady (uncredited) | |
| Steve Clemente | ... | Bit (uncredited) | |
| Bill Cody | ... | Rancher (uncredited) | |
| Jack Curtis | ... | Bartender (uncredited) | |
| Marga Ann Deighton | ... | Mrs. Pickett (uncredited) | |
| Patricia Doyle | ... | Bit Part (uncredited) | |
| Tex Driscoll | ... | Bit Part (uncredited) | |
| Johnny Eckert | ... | Small Role (uncredited) | |
| Franklyn Farnum | ... | Deputy Frank (uncredited) | |
| Francis Ford | ... | Billy Pickett (uncredited) | |
| Brenda Fowler | ... | Mrs. Gatewood (uncredited) | |
| Helen Gibson | ... | Girl in Saloon (uncredited) | |
| Robert Homans | ... | Ed - Editor (uncredited) | |
| William Hopper | ... | Sergeant (uncredited) | |
| Si Jenks | ... | Bartender (uncredited) | |
| Cornelius Keefe | ... | Capt. Whitney (uncredited) | |
| Florence Lake | ... | Nancy Whitney (uncredited) | |
| Al Lee | ... | Small Role (uncredited) | |
| Duke R. Lee | ... | Lordsburg Sheriff (uncredited) | |
| Theodore Lorch | ... | Lordsburg Express Agent (uncredited) | |
| Chris-Pin Martin | ... | Chris (uncredited) | |
| Jim Mason | ... | Jim - Tonto Express Agent (uncredited) | |
| Louis Mason | ... | Tonto Sheriff (uncredited) | |
| Merrill McCormick | ... | Ogler (uncredited) | |
| J.P. McGowan | ... | (uncredited) | |
| Walter McGrail | ... | Capt. Sickel (uncredited) | |
| Paul McVey | ... | Pony Express Agent (uncredited) | |
| Jack Mohr | ... | Small Role (uncredited) | |
| Kent Odell | ... | Billy Pickett Jr (uncredited) | |
| Artie Ortego | ... | Lordsburg Bar Patron (uncredited) | |
| Vester Pegg | ... | Hank Plummer (uncredited) | |
| Jack Pennick | ... | Bartender in Tonto (uncredited) | |
| Chris Phillips | ... | Small Role (uncredited) | |
| Joe Rickson | ... | Ike Plummer (uncredited) | |
| Buddy Roosevelt | ... | Rancher (uncredited) | |
| Elvira Ríos | ... | Yakima (uncredited) | |
| Mickey Simpson | ... | (uncredited) | |
| Margaret Smith | ... | Small Role (uncredited) | |
| Woody Strode | ... | Man in Saloon (uncredited) | |
| Chuck Stubbs | ... | (uncredited) | |
| Harry Tenbrook | ... | Telegraph Operator (uncredited) | |
| Leonard Trainor | ... | Small Role (uncredited) | |
| Mary Kathleen Walker | ... | Lucy's Infant (uncredited) | |
| Bryant Washburn | ... | Capt. Simmons (uncredited) | |
| Whitehorse | ... | Indian Chief (uncredited) | |
| Hank Worden | ... | Cavalryman Extra (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Ernest Haycox | (original story) | |
| Dudley Nichols | (screen play) | |
| Ben Hecht | uncredited | |
Produced by | |||
| John Ford | .... | producer (uncredited) | |
Original Music by | |||
| Gerard Carbonara | (uncredited) | ||
Cinematography by | |||
| Bert Glennon | (director of photography) | ||
Film Editing by | |||
| Otho Lovering | (film editor) | ||
| Dorothy Spencer | (film editor) | ||
| Walter Reynolds | (uncredited) | ||
Art Direction by | |||
| Alexander Toluboff | |||
Costume Design by | |||
| Walter Plunkett | (costumes) | ||
Production Management | |||
| Daniel Keefe | .... | production manager (uncredited) | |
| Jack Kirston | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Wingate Smith | .... | assistant director | |
| Yakima Canutt | .... | second unit director (uncredited) | |
| Lowell J. Farrell | .... | assistant director (uncredited) | |
Art Department | |||
| Wiard Ihnen | .... | associate art director (as Wiard B. Ihnen) | |
Sound Department | |||
| Frank Maher | .... | sound | |
| Robert Parrish | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Ray Binger | .... | special photographic effects (uncredited) | |
Stunts | |||
| Yakima Canutt | .... | stunt coordinator (uncredited) | |
| Iron Eyes Cody | .... | stunts (uncredited) | |
| Ken Cooper | .... | stunts (uncredited) | |
| Johnny Eckert | .... | stunts (uncredited) | |
| W. Frank Long | .... | stunts (uncredited) | |
| Jack Mohr | .... | stunts (uncredited) | |
| David Sharpe | .... | stunts (uncredited) | |
| Henry Wills | .... | stunts (uncredited) | |
| Billy Yellow | .... | stunt rigger (uncredited) | |
Camera and Electrical Department | |||
| James V. King | .... | assistant camera (uncredited) | |
| Ned Scott | .... | still photographer (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Casting Department | |||
| Lee Bradley | .... | extras casting (uncredited) | |
| Harry Goulding | .... | extras casting (uncredited) | |
Editorial Department | |||
| Otho Lovering | .... | supervising editor (uncredited) | |
Music Department | |||
| Louis Gruenberg | .... | musical score adaptation: based on American folk songs | |
| Richard Hageman | .... | musical score adaptation: based on American folk songs | |
| W. Franke Harling | .... | musical score adaptation: based on American folk songs (as Franke Harling) | |
| John Leipold | .... | musical score adaptation: based on American folk songs | |
| Boris Morros | .... | musical director | |
| Leo Shuken | .... | musical score adaptation: based on American folk songs | |
| Danny Borzage | .... | musician: accordion (uncredited) | |
Other crew | |||
| Walter Wanger | .... | presenter | |
| Danny Keith | .... | location manager (uncredited) | |
| W. Frank Long | .... | horse handler/wrangler (uncredited) | |
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| Stagecoach | Seven Men from Now | Backlash | Rio Bravo | Red River |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
I grew up watching the old, crotchety, gruff John Wayne, the iconic hero of the right wing, and even though I'd seen some of his early films on television, I'd forgotten what a sexy and compelling presence he had when a young man. It's easy to see while watching his performance how this film made him a star. As great as Wayne is in this film, he doesn't overshadow any of his fellow performers. Thomas Mitchell plays the drunken doctor thrown out of town, a performance that earned him an Academy Award. Andy Devine is hilarious as the complaining, squeaky voiced stagecoach driver. John Carradine is sleek and snake-like as the gambler. Claire Trevor gives a heartbreaking turn as the good-hearted whore thrown out of town by pious hypocrites. Donald Meek plays his name, a meek whiskey salesman befriended by the whiskey-loving Doc. Each actor quickly and deftly sketches his character so vividly that every performance is memorable.
But the real star of the show is John Ford, the director. To introduce and define nine characters in the context of a fast-paced western is no easy task, and he accomplishes it in masterly fashion. Much of the action takes place in the limited confines of a stagecoach, but Ford takes advantage of the limits by staging brilliant and subtle bits between characters; John Wayne casts sultry glances at Clare Trevor, who blossoms under his glance, the young calvary wife's eyes glaze over as the banker pontificates, and Doc sneaks sips of whiskey from the samples case while he solicitously keeps the wind from chilling the whiskey salesman. When the action moves outside, he films the action in dynamic angles and stunts that were the most daring of its time.
If you enjoy westerns and haven't seen this, you have a great night of film-watching ahead of you. And if the last time you saw Stagecoach was some midnight years ago when you wandered home for a bit of the late show before bedtime, watch it again and rediscover what a great western it is