After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
A simple stagecoach trip is complicated by the fact that Geronimo is on the warpath in the area. The passengers on the coach include a a drunken doctor, two women, a bank manager who has taken off with his client's money, and the famous Ringo Kid, among others. Written by
Andrew Hyatt <firstname.lastname@example.org>
Asked why, in the climactic chase scene, the Indians didn't simply shoot the horses to stop the stagecoach, director John Ford replied, "Because that would have been the end of the movie." See more »
In the fight between the stagecoach's passengers and the Indians, we see the same image of one Indian, with a lance in his hand, falling with his horse two times. One time shot by Marshal Curly and another time shot by Hatfield. See more »
These hills here are full of Apaches. They've burnt every ranch building in sight.
[referring to Indian scout]
He had a brush with them last night. Says they're being stirred up by Geronimo.
Geronimo? How do we know he isn't lying?
No, he's a Cheyenne. They hate Apaches worse than we do.
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"Grand Hotel"-styled Western that puts nine very different people together on the titled vehicle to go across some very dangerous Indian territory. There is convict John Wayne (in his star-making role), scorned prostitute Claire Trevor, drunken doctor Thomas Mitchell (in a well-deserved Oscar-winning role), slick gambler John Carradine, pregnant youngster Louise Platt, shady banker Berton Churchill, whiskey salesman Donald Meek, lawman George Bancroft and driver Andy Devine on this star-studded ride. Soon the characters are turned from would-be stereotypes to very complicated three-dimensional figures that are all deep and humanistic. "Stagecoach" does not only benefit from its actors and screenplay though as legendary director John Ford (Oscar-nominated) shows his ability to mix and mesh quiet, heartfelt moments with amazingly detailed action sequences that were way ahead of their time. A great picture from arguably the cinema's finest single year of films. 5 stars out of 5.
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