Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary style film of both newsreel and ... See full summary »
"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of ... See full summary »
Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ... See full summary »
When a German U-Boat captain is sent on a spying mission to the North of Scotland during World War One, he finds more than he bargained for in his contact, the local schoolmistress. Written by
Ian Harries <email@example.com>
Local information form Orkney reports that it may have been the St Ola 1 that appeared in this film apparently sunk by U29. In real life the St Ola 1 served the route Thurso to Stromness between 1892 and 1951 with few cancellations in rough weather for the safety and comfort of passengers. See more »
During the closeup of the kidnapping on the train about 15 minutes into the movie, the rapidly passing scenery is clearly being projected onto a screen as the screen edges are visible, and the people's shadows are also projected onto the screen. See more »
I saw this last night as part of a Michael Powell/Emeric Pressberger retrospective underway at the American Cinemetheque. There are some unlikely aspects to the plot, but on the whole this is well crafted WWI thriller with a remarkable level of moral complexity, especially given that it was made and released just as England was entering a second war against Germany.
The protagonist (hero?) (played by the extraordinary Conrad Veidt) is a German officer on a spy mission and he is, in many respects, a quite admirable character. For the first half of the film, it's almost entirely from his point of view. It's hard to imagine Hollywood filmmakers EVER having the confidence that Powell and Pressberger clearly had in the intelligence of their audience, allowing them to actually like and admire an enemy agent.
While "The Spy in Black" eventually does come down squarely on the side of the English, the agents of the Kaiser come off only as perhaps a hair more ruthless than those fighting for king and country.
Of course, the Germany that England would be fighting within a few a few months would be far, far worse. This film is a potent reminder that while World War II might have a morally clear "good" war because of the vast evil of the Nazis, World War I was a horse of a far grayer color.
With sophisticated, occasionally black humor, this is a neat bit of old-fashioned movie entertainment with some genuinely intriguing differences. Enthusaistically recommended.
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