Son of Frankenstein (1939)

User Rating:

7.1/10   

Director:

Rowland V. Lee

Writers:

Mary Shelley (suggested by the story written in 1816)
Wyllis Cooper (screenplay)

Release Date:

13 January 1939 (USA)

Genre:

Sci-Fi | Horror | Drama

Tagline:

The black shadows of the past bred this half-man . . . half-demon ! . . . creating a new and terrible juggernaut of destruction !

Plot:

Wolf Frankenstein, son of Henry Frankenstein, returns with his wife, to his fathers estate to claim his inheritance...

Plot Keywords:

Inspector | Laboratory | Broken Neck | Gunfire | Police

Cast

Basil Rathbone	...	Baron Wolf von Frankenstein
Boris Karloff	...	The Monster
Bela Lugosi	...	Ygor
Lionel Atwill	...	Krogh
Josephine Hutchinson	...	Elsa von Frankenstein
Donnie Dunagan	...	Peter von Frankenstein
Emma Dunn	...	Amelia
Edgar Norton	...	Benson
Perry Ivins	...	Fritz
Lawrence Grant	...	Burgomaster
Lionel Belmore	...	Lang
Michael Mark	...	Ewald Neumüller
Caroline Frances Cooke	...	Mrs. Neumüller (as Caroline Cooke)
Gustav von Seyffertitz	...	Burgher
Lorimer Johnston	...	Burgher (as Lorimer Johnson)

Runtime:

99 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

Finland:K-15 (2004) | Canada:PG (Ontario) | Finland:(Banned) (1955) | Spain:13 | South Korea:12 | Norway:16 (cut) | Norway:16 (1955) | Finland:(Banned) (1939) | USA:Approved (PCA #4987) | Sweden:7

Company:

Universal Pictures

Trivia:

The character of Ygor (played by Bela Lugosi in the final film version) does not appear in Wyllis Cooper's October 20, 1938, draft of the screenplay titled "The Son Of Frankenstein". Director Rowland V. Lee was annoyed at Universal's low-balling of Bela Lugosi (who was being paid only $500 per week because he desperately needed a job and Universal knew it), and he kept rewriting the script to make Lugosi's character more central, and to make sure that Lugosi ended up with a decent salary. The "Ygor" character died in the film, but returned in the sequel, The Ghost of Frankenstein (1942); for unknown reasons, the spelling of the name was altered to "Igor" in the credits (yet the script for the even later _Frankenstein Meets the Wolf Man (1943)_ reverted to the original spelling "Ygor."

Goofs:

Continuity: In the climactic fight with the monster, after his artificial arm is torn off the inspector draws his gun, a revolver. He then proceeds to fire ten shots in quick succession, without the chance or ability to reload.

Quotes:

Ygor: After faking a coughing fit and pointing to his broken neck: "I'm sorry. I cough. You see, bone get stuck in throat!"

Movie Connections:

Referenced in "Married with Children: Dud Bowl II (#10.10)" (1995)

Soundtrack:

Sailing, Sailing, Over the Bounding Main

Or...The Legend of the Frankenstein Monster!

'Frankenstein' and 'Bride of...' pretty much told a complete story. And the story was fashioned in such a way that the viewer is watching the events as they unfold. As the events unfold, the story shifts from the torment of the creator, Frankenstein, to the torment of the creation, the Monster.

Now in 'Son of...', the emphasis is shifted back to the scientist. And Karloff no longer has a monopoly on the role of the 'Back From the Dead'; he shares that with Lugosi's 'Ygor'. Nor does he have the monopoly on the 'Artificial Human'; he shares that spot with Atwill's one-armed 'Inspector Krogh'. Nor does he possess his personality that was gradually evolving in the first two entries. The Monster has been reduced to a hulking henchman bound to the will of the evil Ygor.

The 'Monster turned pawn' had actually begun in 'Bride of...' as Pretorious used him to force Frankenstein to create the Monster's mate. You could almost say that the Monster was used as a tool for Henry Frankenstein to play God; a tool for Pretorious' dream to create a new race; and a tool for Ygor's desire for revenge on the jurors who condemned him to the hangman's noose. The difference in 'Son of...' is that the Monster no longer evolves and the character is left with no where to go.

But this is still a fascinating film. Director Lee replaces realistic sets and background with surrealism. Details from the first two films are abandoned for light background and twisted, gargantuan shadows. And much of some great action set-pieces have already occurred off screen, before the movie begins. Which means we're left with alot of talk of 'what was' and 'what happened before'. Which kind of fits into the definition of what a legend constitutes. Fortunately, the actors doing the talking are Rathbone, Lugosi and Atwill. Even Rathbone's over the top performance can be forgiven, knowing his next film(?) was his signature (& debut) role as Sherlock Holmes in 'Hound of the Baskervilles', a role he was absolutely brilliant in.

Even though Karloff has a much reduced role, the gigantic sets, dead trees and slanted architecture compels the viewer to be constantly aware of his lurking menace. It is this approach that, standing on its own, makes this a fine film. The viewer is forced to rely on imagination more than the first two movies put together. It is certainly a more polished film than the original. And Lugosi and Atwill's support acting are leagues above the wooden Mae Clarke, John Boles and Valerie Hobson.

Like the Monster; "tis better to have been made, than never to have been made at all". We would have missed out on all that fun.

7 out of 10 ! One of my favorite 'Frankenstein' films.