Joe May's sensual drama of life in the Berlin underworld is in many ways the perfect summation of German filmmaking in the silent era: a dazzling visual style, a psychological approach to ... See full summary »
A detective goes undercover as a producer to investigate an actor's murder, which occurred during the performance of a play. The actor's body disappeared shortly after the crime, and his ... See full summary »
The Dead End Kids are out of the slums of New York's East Side and running around the sunny valleys of California looking for a way to make a quick buck. The idea of working never enters ... See full summary »
I usually Watch this kind of movies. Rare and B films found thanks of TCM or from bootlegged stuff, transfered from 16mm prints. Joe May is a director whose I don't really know the work, except maybe some of his latest features. He was a film maker who ran away from Nazi Germany, that's all I know from him.
It is more a comedy and drama rather of a crime flick. Some fists and gunfights scenes, especially at the end, so suddenly that it almost woke me up, in the pure Tarantino style, at the moment you don't expect at all. But it's not BEAST OF THE CITY either, nor LAW AND ORDER (Eddy Cahn's film, of course, not the Nathan Juran's one.)
Preston Foster is not here as terrific as he was in KANSAS CITY CONFIDENTIAL. The usual grade B picture from Universal Studios.
1 of 2 people found this review helpful.
Was this review helpful to you?