A peasant comes to St. Petersburg to find work. He unwittingly helps in the arrest of an old village friend who is now a labor leader. The unemployed peasant is also arrested and sent to ... See full summary »
In 1944, Kay and Jane travel on an overnight train from Miami to New York, accompanied by Harry. Kay is the mistress of "The Man", a rich industrialist, whom they are to meet so that they ... See full summary »
"Sixth Part of the World" was the size of Soviet Union of the time. Many peoples of many customs composed it. Ice and desert, forest and ocean. Bread, furs, machines. All and every is a part of great unity.
In 1918 a simple Mongolian herdsman escapes to the hills after brawling with a western capitalist fur trader who cheats him. In 1920 he helps the partisans fight for the Soviets against the... See full summary »
Based on Finnish mythology, this movie traces the exploits of Lemminkainen as he woos the fair Annikki and battles the evil witch Louhi. Louhi kidnaps Annikki to compel her father to build ... See full summary »
An earthy, epic historical drama set during World War I and the Russian Civil War, Shchors is a biographical portrait of the partisan leader and communist Nikolai Shchors, one of the few indisputable Bolshevik icons of Ukrainian origin. The work was commissioned by Stalin himself, who asked Dovzhenko to "give us a Ukrainian Chapayev" - a reference to the popular (though mediocre) 1934 film by Sergei and Georgi Vasiliev depicting the heroic exploits of a folksy Russian Red Army commander. The prolonged production of Shchors proved a nightmare for Dovzhenko, who was forced to submit every creative decision and every episode for high-level political approval, and who found himself accused of Ukrainian nationalism by Stalin's increasingly paranoid henchmen. There is one remarkable, picturesque sequence of burial. Nothing else. Shchors represents the glory of socialist-realist restrictions imposed upon an artist, the ultimate product of Zhdanovist canons. Nothing left of Dovzhenko's dynamic energy and fervent poetry featured in his best picture, 'Earth.'
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