5.9/10
96
6 user 4 critic

Sergeant Madden (1939)

Approved | | Crime, Drama, Family | 24 March 1939 (USA)
A highly respected Irish cop is pleased when his son follows him onto the force. Unfortunately, the son is more interested in rewards than in upholding the law. When he shoots a child ... See full summary »

Director:

(as Josef Von Sternberg)

Writers:

(story "A Gun In His Hand") (as William A. Ulman Jr.), (screenplay)
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Cast

Cast overview, first billed only:
...
Sgt. Shaun Madden
...
Albert 'Al' Boylan, Jr.
Alan Curtis ...
Dennis Madden
...
Eileen Daly
Fay Holden ...
Mary Madden
...
'Piggy' Ceders
Marion Martin ...
Charlotte LePage
David Gorcey ...
Punchy LePage
Donald Haines ...
Milton
...
Henchman Stemmy
Etta McDaniel ...
Dove (Madden's maid)
John Kelly ...
Henchman Nero
...
Philadelphia (as Horace MacMahon)
Neil Fitzgerald ...
Casey (police broadcaster)
...
Dennis Madden, as a boy
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Storyline

A highly respected Irish cop is pleased when his son follows him onto the force. Unfortunately, the son is more interested in rewards than in upholding the law. When he shoots a child caught stealing, the others frame him and he is sent to prison where his attitude becomes even worse than before. Written by Ulf Kjell Gür

Plot Summary | Add Synopsis

Taglines:

Beery's Back In "Big House" Thrills ! See more »

Genres:

Crime | Drama | Family

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

24 March 1939 (USA)  »

Also Known As:

Au service de la loi  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Charles Trowbridge replaced George Irving as the Commissioner for the retakes. See more »

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User Reviews

 
Maddening von Sternberg
13 October 2003 | by (New York City) – See all my reviews

Typical Wallace Beery feature rendered weird and beautiful by von Sternberg direction. Although only Beery gives a good performance -- slower and much more introspective than his usual Long John Silver of this era --the von Sternberg visual touches -- the odd camera angle that brings out the lines on Beery's face, or the macrame drapes that cast shadows on the juveniles -- make this a deeply disturbing movie, like Tarrantino directing an episode of Sesame Street.


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