This haunting, unforgettable film, based upon Maxim Gorky's 1913 autobiography, shows a twelve-year-old's journey in life against the tumultuous backdrop of 19th century Russia. With ... See full summary »
Andre Laurent, the captain of a tugboat, married Yvonne ten years ago. She has a heart disease but does not want to tell him. She dreams he quits the job for they can live quietly. One ... See full summary »
Vienna, 1906. A passionate love story develops between Franz Lobheiner (Alain Delon) and the young Christine (Romy Schneider). Lobheiner is, however, currently seeing the married Baroness ... See full summary »
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
This is the French "only yesterday" (Stahl);the title tells the whole story:it's a melodrama which follows all the rules of the game.Sandwiched,in Ophuls's filmography, between "Werther" ,a classic which he did not make very interesting,and "De Mayerling à Sarajevo" ,which dealt with the Hapsburg's tragedy,"sans lendemain" ,which is despised by the French critics does not deserve such a fate:although it's not on a par with "Lola Montès " ,"Madame de ..." or "le plaisir" ,it's worth watching.
Edwige Feuillère ,after "sans lendemain" ,would be countess Sophie Chotek,Francis-Ferdinand von Habsburg's morganatic wife in "de Mayerling à Sarajevo' the following year,actually a propaganda movie. Here she's a jaded woman ,abandoned by a shady husband with a lot of debts.She's got a son to bring up,so she works as a topless dancer in the nightclub "la sirene" .Enter a handsome man,her former love,whom she could not marry because she was already another man's wife.
She's ashamed of herself,of her life ,of her seedy apartment;so she borrows money from some kind of pimp.She knows from the start ,that not only her dream will be short-lived ,but she will also have to pay dearly for it afterwards.These three days are some kind of pilgrimage ,bringing her to places she went when they were young,particularly the ski resort where they met.The white snow will contrast with the darkness Ophuls will use at the end of his movie...
A conclusion which is not unlike that of John Stahl 's "only yesterday" (1933)Woman is sacrified,but anyway,it's a permanent feature in Ophuls' canon from "liebelei " to "Madame de..." .Edwige Feuillère gives a wonderful performance.
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