| Photos (See all 10 | slideshow) |
| Nora Gregor | ... | Christine de la Cheyniest (as Nora Grégor) | |
| Paulette Dubost | ... | Lisette, sa camériste | |
| Mila Parély | ... | Geneviève de Marras | |
| Odette Talazac | ... | Madame Charlotte de la Plante | |
| Claire Gérard | ... | Madame de la Bruyère | |
| Anne Mayen | ... | Jackie, nièce de Christine | |
| Lise Elina | ... | Radio-Reporter (as Lise Élina) | |
| Marcel Dalio | ... | Marquis Robert de la Cheyniest (as Dalio) | |
| Julien Carette | ... | Marceau, le braconnier (as Carette) | |
| Roland Toutain | ... | André Jurieux | |
| Gaston Modot | ... | Edouard Schumacher, le garde-chasse | |
| Jean Renoir | ... | Octave | |
| Pierre Magnier | ... | Le général | |
| Eddy Debray | ... | Corneille, le majordome | |
| Pierre Nay | ... | Monsieur de St. Aubin | |
| Richard Francoeur | ... | Monsieur La Bruyère (as Francoeur) | |
| Léon Larive | ... | Le cuisinier | |
| rest of cast listed alphabetically: | |||
| Nicolas Amato | ... | L'invité sud-américain (uncredited) | |
| Henri Cartier-Bresson | ... | Le domestique anglais (uncredited) | |
| Celestin | ... | Le garçon de cuisine (uncredited) | |
| Tony Corteggiani | ... | Berthelin (uncredited) | |
| Roger Forster | ... | L'invité efféminé (uncredited) | |
| Camille François | ... | Le speaker (uncredited) | |
| Jenny Hélia | ... | La servante (uncredited) | |
| André Zwoboda | ... | L'ingénieur (uncredited) | |
Directed by | |||
| Jean Renoir | |||
Writing credits | ||
| Jean Renoir | (scenario & dialogue) | |
| Carl Koch | (collaborator) (as Koch) | |
Produced by | |||
| Jean Renoir | .... | producer (uncredited) | |
Original Music by | |||
| Joseph Kosma | |||
Cinematography by | |||
| Jean-Paul Alphen | (as Alphen) | ||
| Jean Bachelet | (as Bachelet) | ||
| Jacques Lemare | |||
| Alain Renoir | |||
Film Editing by | |||
| Marthe Huguet | (as Mme Huguet) | ||
| Marguerite Renoir | (as Marguerite) | ||
Production Design by | |||
| Max Douy | (as Douy) | ||
| Eugène Lourié | (as Lourié) | ||
Costume Design by | |||
| Coco Chanel | (as La Maison Chanel) | ||
Makeup Department | |||
| Ralph | .... | makeup artist (uncredited) | |
Production Management | |||
| Camille François | .... | production supervisor | |
| Raymond Pillon | .... | unit manager (as Pillon) | |
| Claude Renoir | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Henri Cartier-Bresson | .... | assistant director (as Henri Cartier) | |
| André Zwoboda | .... | assistant director | |
Sound Department | |||
| Joseph de Bretagne | .... | sound engineer (as De Bretagne) | |
Camera and Electrical Department | |||
| Sam Levin | .... | still photographer | |
| Jean Mousselle | .... | assistant camera (uncredited) | |
Music Department | |||
| Roger Desormière | .... | conductor: Mozart and Monsigny (as Roger Desormières) | |
| Pierre-Alexandre Monsigny | .... | music by (as Monsigny) | |
| Wolfgang Amadeus Mozart | .... | music by (as Mozart) | |
Other crew | |||
| Dido Freire | .... | script girl (uncredited) | |
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| La Grande Illusion | Kings & Queen | The Accompanist | Madame Bovary | Bon voyage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
This is the film I usually think of as my favorite of all time. It is perhaps the closest that cinema has come to the perfection of a Mozart opera. I'm thinking of "Marriage of Figaro" and "Cosi fan Tutte" in particular as the Mozart operas most closely related to Renoir's cinema masterpiece. Like those operas, there is a masterfully proportioned blend of outrageous humor and deep pathos. It is a comedy, but it is a particularly civilized form of comedy that you will not encounter in another film, except maybe in some films of Charlie Chaplin. Above every human situation in the convoluted plot there is the all-pervading sadness for a fading civilization about to be extinguished. The ambiguities of that civilization are perfectly captured in two hours of cinematic heaven. Everything about this film is extraordinary, and I long to see it issued on DVD, and only Criterion will be able to do it justice. I hope they will turn to it soon!