| Photos (See all 10 | slideshow) |
| Nora Gregor | ... | Christine de la Cheyniest (as Nora Grégor) | |
| Paulette Dubost | ... | Lisette, sa camériste | |
| Mila Parély | ... | Geneviève de Marras | |
| Odette Talazac | ... | Madame Charlotte de la Plante | |
| Claire Gérard | ... | Madame de la Bruyère | |
| Anne Mayen | ... | Jackie, nièce de Christine | |
| Lise Elina | ... | Radio-Reporter (as Lise Élina) | |
| Marcel Dalio | ... | Marquis Robert de la Cheyniest (as Dalio) | |
| Julien Carette | ... | Marceau, le braconnier (as Carette) | |
| Roland Toutain | ... | André Jurieux | |
| Gaston Modot | ... | Edouard Schumacher, le garde-chasse | |
| Jean Renoir | ... | Octave | |
| Pierre Magnier | ... | Le général | |
| Eddy Debray | ... | Corneille, le majordome | |
| Pierre Nay | ... | Monsieur de St. Aubin | |
| Richard Francoeur | ... | Monsieur La Bruyère (as Francoeur) | |
| Léon Larive | ... | Le cuisinier | |
| rest of cast listed alphabetically: | |||
| Nicolas Amato | ... | L'invité sud-américain (uncredited) | |
| Henri Cartier-Bresson | ... | Le domestique anglais (uncredited) | |
| Celestin | ... | Le garçon de cuisine (uncredited) | |
| Tony Corteggiani | ... | Berthelin (uncredited) | |
| Roger Forster | ... | L'invité efféminé (uncredited) | |
| Camille François | ... | Le speaker (uncredited) | |
| Jenny Hélia | ... | La servante (uncredited) | |
| André Zwoboda | ... | L'ingénieur (uncredited) | |
Directed by | |||
| Jean Renoir | |||
Writing credits | ||
| Jean Renoir | (scenario & dialogue) | |
| Carl Koch | (collaborator) (as Koch) | |
Produced by | |||
| Jean Renoir | .... | producer (uncredited) | |
Cinematography by | |||
| Jean-Paul Alphen | (as Alphen) | ||
| Jean Bachelet | (as Bachelet) | ||
| Jacques Lemare | |||
| Alain Renoir | |||
Film Editing by | |||
| Marthe Huguet | (as Mme Huguet) | ||
| Marguerite Renoir | (as Marguerite) | ||
Production Design by | |||
| Max Douy | (as Douy) | ||
| Eugène Lourié | (as Lourié) | ||
Costume Design by | |||
| Coco Chanel | (as La Maison Chanel) | ||
Makeup Department | |||
| Ralph | .... | makeup artist (uncredited) | |
Production Management | |||
| Camille François | .... | production supervisor | |
| Raymond Pillon | .... | unit manager (as Pillon) | |
| Claude Renoir | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Henri Cartier-Bresson | .... | assistant director (as Henri Cartier) | |
| André Zwoboda | .... | assistant director | |
Sound Department | |||
| Joseph de Bretagne | .... | sound engineer (as De Bretagne) | |
Camera and Electrical Department | |||
| Sam Levin | .... | still photographer | |
Music Department | |||
| Roger Desormière | .... | conductor: Mozart and Monsigny (as Roger Desormières) | |
| Pierre-Alexandre Monsigny | .... | music by (as Monsigny) | |
| Wolfgang Amadeus Mozart | .... | music by (as Mozart) | |
Other crew | |||
| Dido Freire | .... | script girl (uncredited) | |
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| Grand Illusion | Kings & Queen | The Accompanist | Madame Bovary | Bon voyage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
How can words do justice to this dream of a film? It is one of a dozen or so movies in all film history where just everything seems to have gone right. The casting is perfect, it is technically so seamless to make discussion of that side of the film crass, and the script is one of the great narratives in any medium of its century. The characterisation is absolutely matchless. I cannot think of a film with characters as rich as Lisette, the maid, la Chesnaye, the unfaithful aristocrat, Marceau the poacher, and, above all, Renoir's bumbling Octave who sets the tragic events in motion. Great dramatic art, of which this is arguably the cinema's finest example, is usually characterised by irony. La Règle du Jeu has it in spades. In the sensational final 25 minutes, when enemies become friends, and friends enemies, the cinema seems to take off in flight raising this great art to undreamed of heights. It is just so perfect, it makes you want to weep.