MOVIEmeter
SEE RANK
Up 263 this week

The Rules of the Game (1939)
"La règle du jeu" (original title)

 -  Comedy | Drama  -  8 April 1950 (USA)
8.1
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 8.1/10 from 16,602 users  
Reviews: 82 user | 90 critic

A bourgeois life in France at the onset of World War II, as the rich and their poor servants meet up at a French chateau.

Director:

Writers:

(scenario & dialogue), (collaborator)
0Check in
0Share...

User Lists

Related lists from IMDb users

a list of 30 titles
created 08 Jul 2012
 
a list of 23 titles
created 29 Dec 2012
 
a list of 35 titles
created 06 Feb 2013
 
a list of 30 titles
created 27 Feb 2013
 
a list of 22 titles
created 3 months ago
 

Connect with IMDb


Share this Rating

Title: The Rules of the Game (1939)

The Rules of the Game (1939) on IMDb 8.1/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of The Rules of the Game.
1 win. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

I Vitelloni (1953)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A character study of five young men at crucial turning points in their lives in a small town in Italy.

Director: Federico Fellini
Stars: Alberto Sordi, Franco Fabrizi, Franco Interlenghi
Rushmore (1998)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

The king of Rushmore prep school is put on academic probation.

Director: Wes Anderson
Stars: Jason Schwartzman, Bill Murray, Olivia Williams
Being There (1979)
Comedy
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Chance, a simple gardener, has never left the estate until his employer dies. His simple TV-informed utterances are mistaken for profundity.

Director: Hal Ashby
Stars: Peter Sellers, Shirley MacLaine, Melvyn Douglas
Short Cuts (1993)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

The day-to-day lives of a number of suburban Los Angeles residents.

Director: Robert Altman
Stars: Andie MacDowell, Julianne Moore, Tim Robbins
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

An estranged family of former child prodigies reunites when one of their member announces he has a terminal illness.

Director: Wes Anderson
Stars: Gene Hackman, Gwyneth Paltrow, Anjelica Huston
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »

Director: Luis Buñuel
Stars: Jean-Claude Brialy, Adolfo Celi, Michel Piccoli
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »

Director: Jim Jarmusch
Stars: John Lurie, Eszter Balint, Richard Edson
Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Director: Alfonso Cuarón
Stars: Maribel Verdú, Gael García Bernal, Daniel Giménez Cacho
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Successful black woman traces her birth mother to a lower-class white woman, who denies it; emotions run high as everyone's secrets are exposed.

Director: Mike Leigh
Stars: Timothy Spall, Brenda Blethyn, Phyllis Logan
Amarcord (1973)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A series of comedic and nostalgic vignettes set in a 1930s Italian coastal town.

Director: Federico Fellini
Stars: Magali Noël, Bruno Zanin, Pupella Maggio
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.

Director: Noah Baumbach
Stars: Owen Kline, Jeff Daniels, Laura Linney
Comedy | War
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

An insane general triggers a path to nuclear holocaust that a war room full of politicians and generals frantically try to stop.

Director: Stanley Kubrick
Stars: Peter Sellers, George C. Scott, Sterling Hayden
Edit

Cast

Cast overview, first billed only:
Nora Gregor ...
Christine de la Cheyniest (as Nora Grégor)
Paulette Dubost ...
Lisette, sa camériste
Mila Parély ...
Geneviève de Marras
Odette Talazac ...
Madame Charlotte de la Plante
Claire Gérard ...
Madame de la Bruyère
Anne Mayen ...
Jackie, nièce de Christine
Lise Elina ...
Radio-Reporter (as Lise Élina)
...
Julien Carette ...
Marceau, le braconnier (as Carette)
Roland Toutain ...
André Jurieux
Gaston Modot ...
Edouard Schumacher, le garde-chasse
...
Octave
Pierre Magnier ...
Le général
Eddy Debray ...
Corneille, le majordome
Pierre Nay ...
Monsieur de St. Aubin
Edit

Storyline

Aviator André Jurieux has just completed a record-setting flight, but when he is greeted by an admiring crowd, all he can say to them is how miserable he is that the woman he loves did not come to meet him. He is in love with Christine, the wife of aristocrat Robert de la Cheyniest. Robert himself is involved in an affair with Geneviève de Marras, but he is trying to break it off. Meanwhile, André seeks help from his old friend Octave, who gets André an invitation to the country home where Robert and Christine are hosting a large hunting party. As the guests arrive for the party, their cordial greetings hide their real feelings, along with their secrets - and even some of the servants are involved in tangled relationships. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

love | servant | party | aristocrat | flight | See more »

Genres:

Comedy | Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

8 April 1950 (USA)  »

Also Known As:

The Rules of the Game  »

Filming Locations:

 »

Box Office

Budget:

FRF 5,500,500 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

(Western Electric)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Director Jean Renoir recut the film numerous times, due to poor initial reception and damage to the negatives during World War II. See more »

Goofs

When the party first arrives at the château, a boom shadow falls on the back of the head of the old white haired guy standing there. See more »

Quotes

Marceau, le braconnier: A laughing woman is disarmed, you can do what you like.
See more »


Soundtracks

A Barbizon
(uncredited)
Written by Vincent Scotto
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

The grandeur and decline of Old World Europe...
19 May 2000 | by (Vancouver, Canada) – See all my reviews

THE RULES OF THE GAME takes place on the eve of World War II at an aristocratic house party at an opulent chateau on a country estate just outside of Paris where the overlapping ‘affaires d'amour' of all social classes are observed with a keen and compassionate eye. Renoir looks to the eighteenth-century world of commedia dell'arte and Mozartian opera, and seamlessly integrates farce with tragedy, using a classical form to offer his audience a profound and multifaceted parable on the disturbing realities that underlie the veneer of contemporary French society, and which are themselves symptomatic of the nascent decline of Old World Europe.

The film opens with the arrival of a middle-class aviator, André Jurieu (Roland Toutain), who violates the unwritten `rules' of social propriety by declaring to a radio reporter his disappointment that the woman he had been courting, Christine de la Chesnaye (Nora Grégor), is not present at his reception after completing a record-breaking flight across the Atlantic. His apparent indiscretion of making public his private feelings to high society diminishes his initially heroic stature and his skill with the advanced technology of aircraft is not matched by an ability to deal with people, particularly in matters of love. His careless and unmediated show of desire for a highborn lady not only transgresses the received law of proper social conduct but of traditional class distinctions as well. André's reckless pursuit of his desire, of what he could not have, caused him to behave as one beneath his class in order to rise above his station, and in the end, he was destroyed by the overlapping desire and misguided frustration of yet another man of even lesser social status and refinement. The final killing of André is echoed in Alain Resnais' LAST YEAR AT MARIENBAD (1961), when we see the mysterious `M' (Sascha Pitoëff) dispatch `X' (Giorgio Albertazzi) with a shotgun for apparently having cuckolded him with `A' (Delphine Seyrig) the year before.

Renoir's approach to mise-en-scène is especially groundbreaking. He employs seamless cutting as well as long continuous takes and tracking shots which follow characters as the move from one space to the next in a manner that anticipates the graceful circling, panning, sensuously kinetic camera of Welles, Ophüls, Godard, Resnais, Bertolucci and others. He uses deep-focus compositions, avoiding close-ups by putting many actors in the frame at the same time to suggest multiple viewpoints. The balustrades of La Colinière and the languorous tracking shots down the long corridors undoubtedly inspired those in LAST YEAR AT MARIENBAD while the checkered floor suggests a harlequinade and a chess board upon which the characters maneuver themselves in relation to each other -- like the similarly checkered shuffleboard floor in Antonioni's LA NOTTE (1961) or the geometrically precise arrangement of the garden in MARIENBAD. (Interestingly enough, Coco Chanel designed the costumes for both THE RULES OF THE GAME and LAST YEAR AT MARIENBAD.) Like Antonioni, Renoir frames characters in architectural space, juxtaposing interior and exterior space, such as when the guests arrive at the chateau and a curtain of rain in the foreground obscures their indoor activities. Renoir's fast-moving tracking shots during the rabbit massacre are imitated in Kubrick's PATHS OF GLORY with the camera ominously winding its way through the trenches of World War I. These kinds of tracking shots also serve to keep the film from becoming talky and static and to de-emphasize the importance of the dialogue in the cinematic narrative, reducing the interplay of voices to a mere din of savory ‘bon mots' and constant stream of overlapping background chatter.

Robert de la Chesnaye (Marcel Dalio), Christine's husband, is fascinated with antique mechanical toy birds and other such gadgets and this fixation suggests an ambivalence toward nineteenth-century Positivism and how an abstract, theoretical, or scientific approach to life alienates people from the actual, spontaneous, concrete experience. In a way, Robert recalls von Rauffenstein (Erich von Stroheim) forever tending to his geranium in Renoir's previous film, GRAND ILLUSION (1937), as well as the character anticipates Steiner (Alain Cuny) in LA DOLCE VITA, who derives more aesthetic pleasure from listening to tape-recorded sounds of nature than hearing the real thing or `M' in LAST YEAR AT MARIENBAD, who prefers to continuously play God in an inscrutable matchstick game which only he can win -- with the rules of the game known only to him -- instead of dealing with messy, unpredictable human relationships.

As an aristocratic Jew, Robert de la Chesnaye could be a composite of Dalio's rich young mercantile Jew, Rosenthal, and the generous, self-sacrificing French nobleman, De Boeldieu, in GRAND ILLUSION. When a chef makes an anti-Semitic slight against Robert, revealing the bigotry of the French working classes, it evokes the controversy surrounding the Dreyfuss Affair. The General's final comment that Robert is one of a `dying breed' not only heralds the decay of aristocratic privilege but, in from the vantage point of hindsight, also seems a chilling spectre of the Holocaust. Christine's Austrian origin alludes to the looming war with Germany and seems a prediction of France's collaboration under the Vichy régime. The indiscriminate destruction of life in the rabbit and pheasant hunt sequence forecasts the waste and destruction of the war to come.

Robert's comment that he `does not want any fences' separating people seems to indicate the gradual dissolution of the old class systems and nationalistic loyalties, and indeed, of all the traditional illusions about human nature and civilization that are to be swept away by the war. The most cryptic sign is the penultimate ‘danse macabre,' echoed in the séance and ritual journey to the realm of the dead in LA DOLCE VITA, suggesting that Renoir's superficial roundelay in THE RULES OF THE GAME is really a dance of death heralding the apocalyptic destruction of the old Europe.


14 of 16 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Who broke the rules and what was the game? thatweirdguy_44
Hunting scenes Dario_Uruguay
Is this film overrated? MovieMan0283
No. 3 Film Of All Time fellowmanuk
Who would rate this a 1 ? wmdsforsale
100 Essential Films monkeeking
Discuss The Rules of the Game (1939) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?