The Weavers play sharecroppers. They confront their landlord with their tale of woe only to find he is in money trouble too. He also has a wastrel son and a socialite wife who wants a ... See full summary »
17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. Her next exploit is to recover gambling losses by donning mask and cloak and taking to... See full summary »
In 1872, Indian fighter Johnny MacKay is appointed peace commissioner for the California and Oregon territory but he faces tough opposition from the renegade Modocs led by their brutal chief Captain Jack.
When concert pianist Lissa Campbell learns that she has a serious heart problem. she vows to enjoy what time she has left. On taking her first holiday, she meets Kit Firth, a pilot on leave... See full summary »
Set just after the end of WWII (but filmed in the middle of it) in a time of general euphoria at having won the war, with full employment and general happiness for all (or nearly all). ... See full summary »
The film is based on two original British steamships, the SS Sirius and the SS Great Western. The SS Sirius was built in 1837 and was serving the London-Cork line until the quest for steam-crossing the Atlantic took her to this adventure. She had condensers which worked with fresh water which allowed less maintenance so quicker journeys. She sailed from Cork and arrived in New York in April 22nd. 1838 after a 18-day trip, only a day ahead of the SS Great Western, which had been specially built for the Atlantic steam crossing but left England (Avonmouth, near Bristol) four days later (so she was faster, but left later). In the film the Sirius, a working replica of which was built, is renamed Dog Star (as Sirius is the dog star), but keeps her original Royal Navy captain's name (Lt. Richard Roberts). The SS Savannah, an American ship, had been the first one to cross the Atlantic in 1819 from Savannah to Liverpool, only partially using steam power and with no passengers daring to embark considering it too dangerous. See more »
I can't believe that Rulers of the Sea receives only a 6.6-star average on the IMDb.
This is a really good film. The acting of the three leads is fine, the sets are wonderful, and the way the story deals with the technical (the conquest of the Atlantic by steamships), the personal (the hardships of the inventor and his daughter, and the love between the daughter and the young captain who helps her father), and the political (the machinations of the various shipbuilders, machine shop owners, and capitalists who have interests for or against the new technology) is quite skillful.
It's not a fast-paced film, and so for people who want lots of action, it may seem dull. But it's a thoughtful film about a serious economic and humanitarian issue, with great actors in the leads and dozens of veteran character actors in the smaller parts.
I have a watchable but not very good quality copy on DVD-r which I purchased from an ebay merchant who had obviously pulled it off a television broadcast. If any company would put this out on a proper DVD I would gladly buy one, because the films looks impressive visually even on the DVD-r and would look spectacular in a cleaned-up edition.
1939 was a great year for films, and everyone knows of the big 10 or 15 films of that year. What most people don't realize is that there were just as many films in that year that were almost as good, or as good, as the more celebrated ones. Two 1939 comedies which are almost completely overlooked, Bachelor Father and Midnight, can hold their own with any screwball comedy. And there are many good dramas that hardly anyone hears about: In Name Only with Cary Grant; Juarez with Bette Davis and Brian Aherne; The Four Feathers; Rulers of the Sea, and many more.
Rulers of the Sea is a very competently executed story of early steamship travel. Lloyd knew his business as a director.
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