Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori's mob. A New Year's Eve robbery at Little Arnie Lorch's casino ... See full summary »
Edward G. Robinson,
Douglas Fairbanks Jr.,
It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
Although innocent, reporter Frank Ross is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life ... See full summary »
After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by
Ed Stephan <email@example.com>
In an earlier crime film, Lights of New York (1928), the term "Roaring Forties" is used to describe the "fast lane" Times Square area of New York City. At the end of that film, a police officer says to the lead character, "Leave the roaring forties to roar without you". In Tin Pan Alley (1940), set at the turn of the 20th century, the term "The Roaring Forties" is then used to describe the area of the famous songwriting capital, in New York City, known as "Tin Pan Alley". "The Roaring Twenties" became a common term to describe an entire decade, with the popularity of this 1939 James Cagney / Humphrey Bogart classic. See more »
When the gangsters hurl bombs at a storefront from the car, watch the prop explosives bounce off the building and roll into the street before the blast. See more »
Two of the most famous actors of their day - James Cagney and Humphrey Bogart - are featured here, along with two very interesting women (Priscilla Lane and Gladys George). That foursome would be fun to join anywhere.
Lane is the wholesome pretty girl and George is the tough female bar owner. The latter may not look as good but she delivers the best film noir lines in the movie near the end.
In addition, Jefferey Lynn is good as the clean-cut, nice-guy attorney and Frank McHugh draws laughs as Cagney's buddy (as in real life). Paul Kelly is convincing as a hood.
With this cast, you know you are going to get a well-acted movie. It moves at a good pace, too, with few lulls. The gangster language of the period was fun to hear.
The first time I saw this film I was disappointed. Maybe I expected too much. On the second viewing, I throughly enjoyed it. Having a great DVD transfer on the second viewing didn't hurt, either. It's a nice sharp picture.
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