Although innocent, reporter Frank Ross is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life ... See full summary »
After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
McCord's gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw "The Oklahoma Kid" Jim Kincaid takes the money from McCord. McCord stakes a "sooner" ... See full summary »
Five members of a teen-age gang, including leader Jimmy Smith, are sent to the State Reformatory, presided over by the melodramatically callous Thompson. Soon, Patsy Gargan, a former ... See full summary »
After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by
Ed Stephan <email@example.com>
"Melancholy Baby", a pre WWI song, was first introduced in the "tavern circuit" by William Frawley (Fred Mertz of "I love Lucy"). A predominate tune in this film, it later surfaced in _Johnny Eagar (1941)_ and Scarlet Street (1945). See more »
In the first scene in the foxhole, Cagney mentions cork tipped cigarettes. These weren't invented till 1936. See more »
[In the shell hole, battle raging overhead]
What's a matta' kid? Ya' scared?
Yes I am.
No heart, huh?
I'm beginning to think so. At least I haven't got any heart for this. I thought this business would be over with before I got here.
What, are you a college kid?
I just finished law school.
Oh, a lawyer, huh? Can you think of anything that can get us out of this hole?
Aw, he wouldn't if he could. He's one of them guys that cheer the loudest back home, and then when ...
[...] See more »
It is hard to believe so many truly great films were made in 1939, and I can only guess that the sheer volume of excellent pix from that year is the only reason why THE ROARING TWENTIES does not have truly major classic status. 1939 seems to be cluttered with a plethora of cinematic riches, thus burying this astonishing and entertaining crime film. I also have been roaring (with laughter) at some of the astonishing silly comments also on this film's viewer comments page: from: "Blondell's haircut is worth the price of a ticket" (Joan Blondell is not in this film, sweetie, read the credits!) - to '"Another MGM gem"...hello? pal, the opening of the film has a great big shield with WB stamped on it followed by "Warner Bros Presents". Almost everyone commenting then proceeds to tell the whole story, each one after each one as thought they are the only person writing a comment. Yeesh. I am the only person who firstly reads what is already there in order to NOT duplicate plot points or characters or the same old same old same old? For genuine long lasting flabbergastering I prefer the movie's solid direction by Raoul Walsh the sensational crackling screenplay by Mark Hellinger and Jerry Wald and mostly the truly major performance by James Cagney. This role and it's ride is possibly the best I have ever seen from him, especially in the latter scenes on skid-row. It's a very mean cruel story with Bogart's jawdropping viciousness several points above censorship rulings - all thankfully intact and now in crisp DVD clarity. The production values are equally solid well decorated nightclubs and houses and rooms and very believable and expansive sets and scenes - especially in the WW1 intro. Yes it even has a terrific Citizen Kane style march of time newsreel tone and urgency. This is a genuine gangster masterpiece and well worth finding and sharing with other vintage WB (not MGM) crime buffs. THE ROARING TWENTIES deserves to be one of the most famous gangster films for everyone of its plot, acting , character and production qualities - they are all there on show. I would love to know the budget and the box office. I know the film was a big hit but exactly how big? It deserved to be massive. Also, the best saddest role of a lifetime to the superb and endearing Gladys George as Panama. As if everything else wasn't perfect enough! This film is a collectors must-have. If remade today, it would be exactly the same, such is it's timeless tone and production. In fact it is had to believe it was made 20 years earlier than SOME LIKE IT HOT. Both films look identical. Don't waste another day, put THE ROARING TWENTIES top of your must see list.
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