It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by
Ed Stephan <email@example.com>
In an earlier crime film, Lights of New York (1928), the term "Roaring Forties" is used to describe the "fast lane" Times Square area of New York City. At the end of that film, a police officer says to the lead character, "Leave the roaring forties to roar without you". In Tin Pan Alley (1940), set at the turn of the 20th century, the term "The Roaring Forties" is then used to describe the area of the famous songwriting capital, in New York City, known as "Tin Pan Alley". "The Roaring Twenties" became a common term to describe an entire decade, with the popularity of this 1939 James Cagney / Humphrey Bogart classic. See more »
Eddie's arms change position when he falls on the church steps. See more »
[Yet another soldier has dived into the shell hole for cover]
There's ten thousand shell holes around here and everybody's gotta' come divin' into this one.
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I got a kick out of this flick having seen in on TCM. In fact I get a kick out of all TCM movies because there are no commercials so whether you like or dislike Ted Turner, I gotta thank the man for giving us that channel and that format. It's just like sitting in the Bijou after buying a ticket for a quarter and a box of popcorn for a dime. Those were the days. When we hear the names Cagney and Bogart,what's taken for granted? Both were legends. Hollywood immortals whom as long as film is preserved, will never really be dead and "The Roaring Twenties" showcased the dynamic duo to the Nth degree. Bogie did not get top billing as did Jimmy however shining throughout that entire movie was unmistakable greatness yet to come from the guy with the impressive speech impediment. His villainous,conniving rotten gangster disposition was there to exploit in how many more films with him? And Cagney too was contemptible but in a nicer way-if indeed that makes any sense whatsoever. I guess I mean to write that if Cagney would shoot someone, he'd first apologize and then perhaps pay for the funeral.But when Bogie shot, his followup would be two or three more right to the gut. Regarding the story line of the film, it's quite straightfoward. Bogie and Cagney meet as Doughboys in France in W.W.I. The war ends, a few years later the Volstead Act becomes law which gives birth to bootlegging, rival murder etc. Jimmy, who's nuts about a gal who sings and is just out of high school is warned by his pal in booze,Bogie,that the gal is two-timing him for their lawyer and so forth and so on. A one time rock solid friendship between Cagney and Bogart disintegrate and why go on? See the film. It's classic gangster stuff and highly enjoyable.
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