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The Roaring Twenties (1939)

Not Rated | | Crime, Drama, Film-Noir | 23 October 1939 (USA)
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Three men attempt to make a living in Prohibitionist America after returning home from fighting together in World War I.

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(screen play), (screen play) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
...
...
Jeffrey Lynn ...
...
...
Nick Brown
Elisabeth Risdon ...
Mrs. Sherman (as Elizabeth Risdon)
Edward Keane ...
Henderson (as Ed Keane)
Joe Sawyer ...
The Sergeant - Pete Jones
Joseph Crehan ...
Michaels
...
Masters
...
Judge
Robert Elliott ...
First Detective
Eddy Chandler ...
Second Detective (as Eddie Chandler)
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Storyline

After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

The land of the free gone wild! The heyday of the hotcha! The shock-crammed days G-men took ten whole years to lick! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 October 1939 (USA)  »

Also Known As:

The World Moves On  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

During a late Saturday-night airing of this film in New York city on Channel 4, during July 1957, the story began with Eddie (James Cagney) taking Jean (Priscilla Lane) for an audition at the nightclub. Over half of the film had been cut. It turned out that cuts made previously to facilitate the showing of the film for a daytime telecast of 75 minutes, less commercials, were unable to be restored in time for this late-night showing. The film was not shown again on New York City TV in its entirety until 1960, and then on another channel. See more »

Goofs

When Eddie goes to the garage to ask for his old job back, he addresses the boss as "Mr. Fletcher". But on the closing cast list, the character (played by Joseph Crehan) is credited as "Michaels". See more »

Quotes

Panama Smith: I'm sick of watching you try to put out that torch you carry for her with a lot of cheap hooch. Who does the kid look like?
Eddie Bartlett: Like her.
Panama Smith: And they got a nice house.
Eddie Bartlett: Yeah, it's a nice house if you like that kind of a house, but for me, uh, I'll take a hotel anytime. You know that.
Panama Smith: Me too. Ain't it funny how our tastes have always run the same? Ever since the first time we met. I can just picture you living in the suburbs, working in a garden, raising flowers and kids. Wouldn't that be a laugh.
Eddie Bartlett: Yeah,...
See more »

Connections

Referenced in Midnight Movies: From the Margin to the Mainstream (2005) See more »

Soundtracks

It Had to Be You
(1924) (uncredited)
Music by Isham Jones
Lyrics by Gus Kahn
Sung by Priscilla Lane at the club
Also played when Eddie and Jean are listening to the radio on the headphones
See more »

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User Reviews

 
Bullets blondes and bootleg
20 December 2005 | by (Australia) – See all my reviews

It is hard to believe so many truly great films were made in 1939, and I can only guess that the sheer volume of excellent pix from that year is the only reason why THE ROARING TWENTIES does not have truly major classic status. 1939 seems to be cluttered with a plethora of cinematic riches, thus burying this astonishing and entertaining crime film. I also have been roaring (with laughter) at some of the astonishing silly comments also on this film's viewer comments page: from: "Blondell's haircut is worth the price of a ticket" (Joan Blondell is not in this film, sweetie, read the credits!) - to '"Another MGM gem"...hello? pal, the opening of the film has a great big shield with WB stamped on it followed by "Warner Bros Presents". Almost everyone commenting then proceeds to tell the whole story, each one after each one as thought they are the only person writing a comment. Yeesh. I am the only person who firstly reads what is already there in order to NOT duplicate plot points or characters or the same old same old same old? For genuine long lasting flabbergastering I prefer the movie's solid direction by Raoul Walsh the sensational crackling screenplay by Mark Hellinger and Jerry Wald and mostly the truly major performance by James Cagney. This role and it's ride is possibly the best I have ever seen from him, especially in the latter scenes on skid-row. It's a very mean cruel story with Bogart's jawdropping viciousness several points above censorship rulings - all thankfully intact and now in crisp DVD clarity. The production values are equally solid well decorated nightclubs and houses and rooms and very believable and expansive sets and scenes - especially in the WW1 intro. Yes it even has a terrific Citizen Kane style march of time newsreel tone and urgency. This is a genuine gangster masterpiece and well worth finding and sharing with other vintage WB (not MGM) crime buffs. THE ROARING TWENTIES deserves to be one of the most famous gangster films for everyone of its plot, acting , character and production qualities - they are all there on show. I would love to know the budget and the box office. I know the film was a big hit but exactly how big? It deserved to be massive. Also, the best saddest role of a lifetime to the superb and endearing Gladys George as Panama. As if everything else wasn't perfect enough! This film is a collectors must-have. If remade today, it would be exactly the same, such is it's timeless tone and production. In fact it is had to believe it was made 20 years earlier than SOME LIKE IT HOT. Both films look identical. Don't waste another day, put THE ROARING TWENTIES top of your must see list.


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