Although innocent, reporter Frank Ross is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life ... See full summary »
McCord's gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw "The Oklahoma Kid" Jim Kincaid takes the money from McCord. McCord stakes a "sooner" ... See full summary »
After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by
Ed Stephan <email@example.com>
The New York Times' cast list includes Max Wagner playing "Lefty," but the only Lefty in the cast was played by Abner Biberman, although he is credited onscreen only as "Henchman." Wagner may not have been in the film. See more »
Orientation of the actors during the audition scene. See more »
[the men are taking cover in a bombed-out farmhouse, shooting at German soldiers somewhere off-screen. Lloyd takes aim at a German soldier, but hesitates, then lowers his rifle]
Whatsa' matta', "Harvard," did you lose the Heine?
No... but he looks like a kid, about 15 years old.
[Aims his rifle and without any hesitation shoots the young German soldier]
He won't be sixteen.
[Seconds later, a fellow soldier rushes in to tell them the war is over, the Armistice has been signed]
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In this movie, Bogart proves to be the sneering, sadistic gangster
After nearly a decade of concentrating on the gangster period of the twenties, it appeared that Warner Brothers had decided to make one, final glorified kiss-off to the genre in the spectacularly staged "The Roaring Twenties."
Director Raoul Walch was an odd choice for what turned out to be a first-rate action film, for Walsh was not normally a crime-film director The film contained every possible cliché connected with the era
Bogart's portrayal was interesting as we watched him coldly murder an ex-army sergeant who had given him a rough time in the service, and then set put to get rid of Jeffrey Lynn, now a successful lawyer working for the district attorney and intent on crushing Bogart's empire
Cagney, whose energy gave him a panerotic sexual magnetism, was evident with his two relationships which both tend to increase our valuation of Cagney as a person as are the two ladies involved: Priscilla Lane, the innocent whom Cagney helps and loves, and the experienced Gladys George who is evidently devoted to him but never expresses her feelings to him
This basic relationship between Cagney and the two female characters does not take away the great merit of "The Roaring Twenties"much more it proves the skill of Raoul Walsh and the writers in deploying conventional elements in an effective and meaningful way
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