Although innocent, reporter Frank Ross is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life ... See full summary »
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by
Ed Stephan <firstname.lastname@example.org>
The New York Times' cast list includes Max Wagner playing "Lefty," but the only Lefty in the cast was played by Abner Biberman, although he is credited onscreen only as "Henchman." Wagner may not have been in the film. See more »
When the gangsters hurl bombs at a storefront from the car, watch the prop explosives bounce off the building and roll into the street before the blast. See more »
[In the shell hole, battle raging overhead]
What's a matta' kid? Ya' scared?
Yes I am.
No heart, huh?
I'm beginning to think so. At least I haven't got any heart for this. I thought this business would be over with before I got here.
What, are you a college kid?
I just finished law school.
Oh, a lawyer, huh? Can you think of anything that can get us out of this hole?
Aw, he wouldn't if he could. He's one of them guys that cheer the loudest back home, and then when ...
[...] See more »
I got a kick out of this flick having seen in on TCM. In fact I get a kick out of all TCM movies because there are no commercials so whether you like or dislike Ted Turner, I gotta thank the man for giving us that channel and that format. It's just like sitting in the Bijou after buying a ticket for a quarter and a box of popcorn for a dime. Those were the days. When we hear the names Cagney and Bogart,what's taken for granted? Both were legends. Hollywood immortals whom as long as film is preserved, will never really be dead and "The Roaring Twenties" showcased the dynamic duo to the Nth degree. Bogie did not get top billing as did Jimmy however shining throughout that entire movie was unmistakable greatness yet to come from the guy with the impressive speech impediment. His villainous,conniving rotten gangster disposition was there to exploit in how many more films with him? And Cagney too was contemptible but in a nicer way-if indeed that makes any sense whatsoever. I guess I mean to write that if Cagney would shoot someone, he'd first apologize and then perhaps pay for the funeral.But when Bogie shot, his followup would be two or three more right to the gut. Regarding the story line of the film, it's quite straightfoward. Bogie and Cagney meet as Doughboys in France in W.W.I. The war ends, a few years later the Volstead Act becomes law which gives birth to bootlegging, rival murder etc. Jimmy, who's nuts about a gal who sings and is just out of high school is warned by his pal in booze,Bogie,that the gal is two-timing him for their lawyer and so forth and so on. A one time rock solid friendship between Cagney and Bogart disintegrate and why go on? See the film. It's classic gangster stuff and highly enjoyable.
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