It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
Although innocent, reporter Frank Ross is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life ... See full summary »
Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori's mob. A New Year's Eve robbery at Little Arnie Lorch's casino ... See full summary »
Edward G. Robinson,
Douglas Fairbanks Jr.,
After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by
Ed Stephan <firstname.lastname@example.org>
Mark Hellinger was relatively new on staff at Warner Brothers and had been given various "B"-picture writing and producing assignments. According to "The Mark Hellinger Story" by Jim Bishop, after initially reading Hellinger's story for this film, studio boss Jack L. Warner and production chief Hal B. Wallis became so excited that they considered the project too good for Hellinger to produce. Wallis became Executive Producer and told Hellinger he would give him the title of Associate Producer. It wasn't until after the film was released that Hellinger saw that screen credit for Associate Producer had gone to Samuel Bischoff. It didn't matter to Hellinger, however, as the film was unanimously praised by critics and was a financial success. See more »
Eddie's arms change position when he falls on the church steps. See more »
I'm sick of watching you try to put out that torch you carry for her with a lot of cheap hooch. Who does the kid look like?
And they got a nice house.
Yeah, it's a nice house if you like that kind of a house, but for me, uh, I'll take a hotel anytime. You know that.
Me too. Ain't it funny how our tastes have always run the same? Ever since the first time we met. I can just picture you living in the suburbs, working in a garden, raising flowers and kids. Wouldn't that be a laugh.
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Most of the famous gangster films were made in the early part of the decade, before the infamous Production Code took all the sex and violence out of the movies, and before they figured out how to make decent movies with sound. The landmark films of the genre like "Little Caesar" and "Public Enemy" are actually kind of poorly made, by modern standards.
Not so this entertaining film, it's full of life and energy and great fun to watch. James Cagney gives a wonderful performance as a dynamic and ambitious man who goes from a barely-eating taxi driver to a gang lord, and back again. Humphrey Bogart gives one of his best pre-Casablanca villain performances, and even generic leading lady Priscilla Land is fresh and likeable.
The only quibble I have with this film is it lacks the immediacy of the earlier "ripped from the headlines" films. It's made about days that had since gone by, and owes more to earlier films than the reality of the day (post-modernism in the thirties?). Still, it's great fun, do see it.
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