In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
Two innocent men are wrongly convicted of murder and sentenced to death. The fiance of one of them convinces a police detective of their innocence, and together they try to find the real ... See full summary »
During World War II an American travels to Britain to sell an old house near London that belongs to his family. But he mets Susan Trimble who lives in the house and who is strictly against ... See full summary »
British Intellengence dispatches Commando Geoffrey Carter on a one-man raid to destroy a munitions plant that manufactures bombs in Nazi-occupied France. He enlists the aid of a patriotic ... See full summary »
Ousted from their homeland by the Bolshevik revolution, a royal Russian couple find themselves impoverished and living in Paris. They take positions as butler and housemaid in a wealthy ... See full summary »
Not too much here, even for fans of Basil Rathbone
John Brahm's Rio is often cited as an early (1939) precursor of what would become, a few years later, film noir. But it doesn't have a great deal going for it, though Brahm later did creditable work in the cycle (The Brasher Doubloon, Hangover Square, The Locket). Basil Rathbone, best known of course as Sherlock Holmes, puts aside his deerstalker's cap and meerschaum pipe to portray a swindling international financier who, along with his songstress wife (Sigrid Gurie, whoever she was), seem to be the toast of le tout Paris. Alas, he's arrested and sent to rot in one of those French-colonial penal colonies off the coast of South America (which probably never existed but is conveniently close to Rio de Janeiro). His wife sticks by him for some reason and journeys to Brazil, though she's sorely tempted by Robert Cummings as an engineer fallen into hard times and the bottle. Rathbone, meanwhile, murderously escapes to Rio.... The plotline lacks tension and, save for Rathbone's Sten-gun elocution, there's not much acting to savor either -- though Gurie sings a few songs in decadent nightclub settings. Some viewers might be happy to hear them.
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