The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's ... See full summary »
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Romance and heartbreak walk hand-in-hand when Philip Chagal accidentally meets Helen Lawrence in a restaurant where she is a waitress. Unhappily married to a woman who suffers from mental ... See full summary »
The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's surprised to meet an old friend, Tom Ransome who came to Ranchipur seven years before to paint the Maharajah's portrait and just stayed on. Ransome has developed something of a reputation - for womanizing and drinking too much - but that's OK with Edwina who is bored and looking for fun. She soon meets the local doctor, the hard working and serious Major Rama Safti. He doesn't immediately respond to her advances but when the seasonal rains come, disaster strikes when a dam fails, flooding much of the countryside. Disease soon sets in and everyone, including Ransome and Edwina, work at a non-stop pace to save as many as possible. Safti deeply admires Edwina's sacrifice but fate intervenes. Written by
During filming in 1937, Myrna Loy had a narrow escape when her horse bolted while shooting a scene; she was nearly killed. See more »
In the hospital scene toward the end, Fern is in Lady Eskwith's room when Tom arrives. He enters and stands next to Fern, and he clearly has nothing in his hands. Lady Eskwith asks Fern to leave and then we see a close-up of her in the hospital bed as she talks to Tom. When the scene changes to Tom, he is standing with a large envelope or file folder in his hand, tapping or flicking it with one finger. He leaves the room with the folder in his hands. See more »
[Lady Esketh is giving away her jewels to Fern]
But I can't take them.
Lady Edwina Esketh:
Don't be an idiot. If you and Tom have children, your son might be the Earl of Nolan. He'd have a wife, and she could wear them to boring dinner parties, and tell how they'd been left to her by a shameless wench called Lady Esketh, who died in Ranchipur during the Great Disaster of 1938. We're such snobs at home. We like stories like that.
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Each set of credits (except for the 20th Century-Fox logo) disintegrates after it appears, as if it were washed away by the rain falling in the background. See more »
One of the unique things about this film is that for once a British Raj story is told not from a British point of view. It should never be forgotten that John Bromfield was an American. You would never see a character like Nigel Bruce in any British screenplay about the Raj. Of all the supporting players, he comes off best in what has to be the most unusual part in his career. For those used to seeing him as the ineffectual Dr. Watson in those Sherlock Holmes movies, playing the bigoted Lord Esketh is quite a switch.
Not until A Passage to India was filmed in the 80s was the Raj ever shown in a less than perfect light.
Ty Power is his usual noble self, the rest of the cast plays well. Twentieth Century Fox borrowed two big names from other studios, Myrna Loy from MGM and George Brent from Warner Brothers to support Power. Loy is Lady Esketh, a woman of the world, left pretty much to her own devices by her husband, decides Power would be a perfect boy toy for her. The part is a throwback to Loy's earlier days of playing mostly bad girls before The Thin Man.
Brent has a very nice role her as a man who's living a dissolute life himself in India, but really steps to the plate during the time of crisis when the flooding starts.
H.B. Warner and Maria Ouspenskaya play the rulers of Ranchipur, you will not forget Ouspenskaya easily. Nor will you forget first the cultured, than the wailing Joseph Schildkraut as Bannerjee. Today no producer could ever get away with casting all these occidental types as Indians, but they all do a fine job.
In the year of Gone With The Wind and all the Oscars it won, the one for Special Effects went to The Rains Came, beating out Gone With The Wind's burning of Atlanta. Judge for yourself if the Academy voters were right.
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