7.2/10
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The Private Lives of Elizabeth and Essex (1939)

Approved | | Biography, Drama, History | 11 November 1939 (USA)
A depiction of the love/hate relationship between Queen Elizabeth I and Robert Devereux, the Earl of Essex.

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(screen play), (screen play) (as Aeneas MacKenzie) | 1 more credit »
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Nominated for 5 Oscars. See more awards »

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Cast

Complete credited cast:
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Mistress Margaret Radcliffe (as Nanette Fabares)
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Sir Edward Coke
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Storyline

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England, Robert Devereux, the Earl of Essex. Ever the victor on the battlefield, Devereux returns to London after defeating Spanish forces at Cadiz. Middle-aged Elizabeth, so attracted to the younger Devereux but fearful of his influence and popularity, sends him on a new mission: a doomed campaign to Ireland. When he and his troops return in defeat, Devereux demands to share the throne with the heir-less queen, and Elizabeth, at first, intends to marry. Ultimately sensing the marriage would prove disastrous for England, Elizabeth sets in motion a merciless plan to protect her people and preserve her throne. Written by IMDb Editors

Plot Summary | Add Synopsis

Plot Keywords:

queen | throne | earl | ireland | hug | See All (104) »

Taglines:

Elizabeth I's love for the Earl of Essex threatens to destroy her kingdom.


Certificate:

Approved | See all certifications »
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Details

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Release Date:

11 November 1939 (USA)  »

Also Known As:

Elizabeth and Essex  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Nanette Fabray's first film. See more »

Goofs

Elizabeth completely smashes a mirror but in next shot a large shard of it still remains in the frame. See more »

Quotes

Queen Elizabeth I: ...the necessities of a queen must transcend those of a woman.
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Connections

Remade as Elizabeth the Queen (1968) See more »

Soundtracks

Love's Answer
(uncredited)
Lyrics by Walter Raleigh
Sung by Olivia de Havilland (dubbed by Faith Kruger)
Lute playing dubbed by an anonymous lutist
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User Reviews

 
A stunning tour de force by Davis and Flynn.
17 June 1999 | by (Australia) – See all my reviews

One of my top 10 best movies of all time! This has to be Davis' best dramatic performance ever - the voice, the mannerisms, the psychological torment between Queen and woman. Never have I seen a character performance like Davis' where she literally shakes with the emotion and tension she feels! Even her eating habits are a source of fascination.

Flynn gives another dashing performance of an emotionally shallow, politically incorrect Essex - he never really quite understands just what he is dealing with until towards the very end. To Essex (and probably to Flynn too!) a woman is just a woman ready to acquiesce to her man at his whim and his detractors at court are simply disgruntled competitors for the affections of his woman. Honest and trustworthy, he has no time patience or comprehension of the treacheries of Raleigh and Cecil or the political considerations of Elizabeth.

Though the plot is quite straightforward it is the absorbing script that allows this actors' tour de force - this is one of the few movies ever where the lead characters are allowed to talk from their hearts. Davis portrays a bitingly intelligent woman in desperate need of one honest voice she can trust and depend upon in a sea of political plots and assorted self-interests. Her determination to rule her people wisely avoiding senseless wars is constantly assailed by her great doubts to continue to command respect and love of her people as she ages and must seek impartial counsel amongst a court of self-seeking, two-faced advisors. She walks the razor's edge of lonely command and tormented despair.

DeHavilland's Penelope is a pivotal character whose envy of the queen and discounting by Essex drives her to attempt to destroy their relationship but finally realises where her loyalties lie.

But the highlight of the film is the intimate exchanges between Essex and Elizabeth that bring out the very best and the very worst in each as they explore their true intentions and their boundaries. The quality of these exchanges are so good that they rival today's psychological thrillers as Elizabeth finally uncovers Essex's true ambitions. It makes you realise how few relationships today could withstand such sincere probing as to the real character of the couple. And the dramatic finale is truly heart-wrenching when Essex becomes the true unselfish hero Elizabeth has been seeking upon finally realising what he would do to England if he shared her throne and that even Elizabeth herself is prepared to sacrifice everything she holds most dear for the man she desperately loves.

They just don't write movies like this any more and it is an excellent example of a masterpiece that can never age.


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