The Private Lives of Elizabeth and Essex (1939)

A depiction of the love/hate relationship between Queen Elizabeth I and Robert Devereux, the Earl of Essex.

Director:

Michael Curtiz

Writers:

Norman Reilly Raine (screen play), Æneas MacKenzie (screen play),

Stars:

Bette Davis, Errol Flynn, Olivia de Havilland

Nominated for 5 Oscars.

Cast

Complete credited cast:
Bette Davis	...	Queen Elizabeth
Errol Flynn	...	Earl of Essex
Olivia de Havilland	...	Lady Penelope Gray
Donald Crisp	...	Francis Bacon
Alan Hale	...	Earl of Tyrone
Vincent Price	...	Sir Walter Raleigh
Henry Stephenson	...	Lord Burghley
Henry Daniell	...	Sir Robert Cecil
James Stephenson	...	Sir Thomas Egerton
Nanette Fabray	...	Mistress Margaret Radcliffe (as Nanette Fabares)
Ralph Forbes	...	Lord Knollys
Robert Warwick	...	Lord Mountjoy
Leo G. Carroll	...	Sir Edward Coke

Storyline

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England, Robert Devereux, the Earl of Essex. Ever the victor on the battlefield, Devereux returns to London after defeating Spanish forces at Cadiz. Middle-aged Elizabeth, so attracted to the younger Devereux but fearful of his influence and popularity, sends him on a new mission: a doomed campaign to Ireland. When he and his troops return in defeat, Devereux demands to share the throne with the heir-less queen, and Elizabeth, at first, intends to marry. Ultimately sensing the marriage would prove disastrous for England, Elizabeth sets in motion a merciless plan to protect her people and preserve her throne.

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Plot Keywords:

queen | earl | throne | ireland | nobility | 

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Taglines:

Elizabeth I's love for the Earl of Essex threatens to destroy her kingdom.

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Genres:

Biography | Drama | History | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

11 November 1939 (USA)

Also Known As:

Elizabeth the Queen

Filming Locations:

Stage 14, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company Credits

Production Co:

Warner Bros

Technical Specs

Runtime:

106 min

Sound Mix:

Mono (Vitaphone)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

To give the illusion of baldness, Bette Davis shaved her head two inches in front to show a high forehead under Elizabeth's red wigs.

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Goofs

Details of some historical characters and events have been changed to fit the dramatic narrative.

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Quotes

Queen Elizabeth I: And when he takes you in his arms again, thank heaven you are not a queen.
Mistress Margaret Radcliffe: But I thought to be a queen...
Queen Elizabeth I: To be a Queen is to be less than human, to put pride before desire, to search Men's hearts for tenderness, and find only ambition. To cry out in the dark for one unselfish voice, to hear only the dry rustle of papers of state. To turn to one's beloved with stars for eyes and have him see behind me only the shadow of the executioner's block. A queen has no hour for love, time presses, and ...

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Connections

Featured in The 59th Annual Academy Awards (1987)

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Soundtracks

"The Passionate Shepherd to His Love (Come Live With Me and Be My Love)"
(posthumous 1599) (uncredited)
Written by Christopher Marlowe
Music by Erich Wolfgang Korngold
Played on piano by Erich Wolfgang Korngold and sung by Nanette Fabray

User Reviews

The Greater Good

This is a far cry from the sentimental ahistorical nonsense I was expecting. It is all about the machinations of power, the ruthlessness that a ruler must uphold so as not to endanger her kingdom, about the necessity to put oneself aside and think of the greater good. Michael Curtiz, with the inestimable help of Bette Davis in one of her most heartwrenching cinematic portrayals, gets all his sinister points across and does not flinch. Sure enough, the ending is more Hollywood, I believe, than London, more glamorous heroics than real-life sacrifice, but even so, it does not stick in your throat. I loved the amorous, innocent banter and bickering of the queen and the earl in their many intimate moments, and Errol Flynn never photographed better. Was there ever anyone in the annals of Hollywood more handsome? Olivia De Havilland tries on a slightly different role than the goody-goody, doe-eyed ones she usually had to make do with. Technicolor cinematography and lighting are both superb.