Victor Marswell runs a big game trapping company in Kenya. Eloise Kelly is ditched there, and an immediate attraction happens between them. Then Mr. and Mrs. Nordley show up for their ... See full summary »
In one island of Bora Bora lagoon, a young fisherman, Matahi, is in love with Reri. But she is chosen to be the holy maid and therefore becomes "tabu". They ran away from that tradition. ... See full summary »
Many passengers on the Shanghai Express are more concerned that the notorious Shanghai Lil is on board than the fact that a civil war is going on that may make the trip take more than three... See full summary »
Josef von Sternberg
Anna May Wong
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Edna May Oliver
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In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
While waiting for her boat, Bonnie Lee stops at a small airport in South America. The pilots there deliver mail over a dangerous and usually foggy mountain pass. Geoff Carter, the lead flyer, seems distant and cold as Bonnie tries to get closer to him. Things heat up as Judy MacPherson, Geoff's old flame, shows up with her husband who is an infamous pilot. Written by
Cary Grant is often incorrectly quoted as saying "Judy, Judy, Judy" to Rita Hayworth in this movie. The misquote is attributed to impressionist Larry Storch who, when in the middle of one of his nightclub acts, saw Judy Garland walk in as he was impersonating Grant. Apparently this is how he addressed her. See more »
When Joe's plane clips the tree and loses the right wing, the plane rolls to the left. In fact, asymmetric lift would roll the aircraft to the right due to greater remaining airfoil surface on the left side. See more »
If you ever wondered what all the fuss about Howard Hawks was all about, this is the film to catch. It is a first-hand lesson in what the Hawks universe was all about, and it is unsurpassed entertainment from the word go. Two hours of undiminished tension, action-wise, sexually, whatnot.
New York showgirl Bonnie (Jean Arthur) is on a stop-over in small-town Barrance somewhere in South America. Here she meets Geoff (Cary Grant), the leader of a small band of mail pilots having to cross a perilous mountain pass on a daily basis, and casualties are to be expected. Within little more than ten minutes of screen-time the young man, who had asked Bonnie out to dinner, is dead in a spectacular crash scene, and from there on the plot and the action pick up space. Bonnie is dismayed by the way the dead pilot's colleagues seem not to care about his death, they just go about their business and pretend he was never there in the first place, so as not to be reminded of their own mortality. "Joe died flying", says Geoff. "That was his job. He just wasn't good enough. That's why he got it". Dismayed as she may be, though, Bonnie cannot leave, since she is falling in love with Geoff but fast.
In this confined space, made even more confined by the dense fog and pouring rain that characterize the local climate, the scene is set for one of Hawks' perceptive gatherings of a group of people to have us observe the dynamics of people interacting, different ethos at work in a seemingly laconic male environment, the love, the rivalry, the camaraderie. The fear. Further upsetting the close-knit community is the arrival of a new fryer (Richard Barthelmess in the best performance of his mature years) who has to prove himself doubly because once in his life he turned yellow. With him he has Rita Hayworth, Geoff's old girl-friend ...
This is quintessential Hawks, just in the way that Barthelmess' character has to strive to earn any ounce of respect from his peers. But in every frame it is a deserved classic, and great performances abound.
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