Ninotchka (1939)

Director:

Ernst Lubitsch

Writers:

Charles Brackett (screenplay) and
Billy Wilder (screenplay) ...

Release Date:

1 February 1940 (Australia)

Genre:

Comedy | Romance

Tagline:

M-G-M's Laugh Riot !

Plot:

A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.

Plot Keywords:

Russian | Playboy | Hotel | Jewelry | Moscow Russia

Awards:

Nominated for 4 Oscars. Another 1 win

Cast

Greta Garbo	...	Ninotchka
Melvyn Douglas	...	Leon
Ina Claire	...	Swana
Bela Lugosi	...	Razinin
Sig Ruman	...	Iranoff (as Sig Rumann)
Felix Bressart	...	Buljanoff
Alexander Granach	...	Kopalski
Gregory Gaye	...	Rakonin
Rolfe Sedan	...	Hotel Manager
Edwin Maxwell	...	Mercier
Richard Carle	...	Gaston

Runtime:

110 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

USA:Passed (National Board of Review) | Finland:(Banned) (1940) | Finland:(Banned) (1964) | Finland:K-15 (DVD) (2006) | Finland:K-16 (1941) | Finland:K-18 (self applied) (2006) | Finland:S (cut) (1981) | Germany:12 (DVD, 2006) | USA:Approved (PCA #5494) | New Zealand:PG | Sweden:Btl | Argentina:13 | West Germany:6 | Portugal:M/6 | UK:U (video rating) | UK:A (original rating)

Company:

Loew's

Trivia:

Curiously enough, this was the very movie Arnold Schwarzenegger studied when he was trying to find his character for Red Heat (1988). The exercise - emulate Greta Garbo - was recommended to him by his director Walter Hill.

Goofs:

Continuity: When the Russian trio are drunk, the glasses fall off of the man in the middle, and in the next shot they are back on him

Quotes:

Leon: Ninotchka, it's midnight. One half of Paris is making love to the other half.

Movie Connections:

Referenced in Il compagno Don Camillo (1965)

NINOTCHKA Still Defies Her Critics

An expertly-played and presented comedy that continues to be dogged by detractors for the oddest reasons. Some feel NINOTCHKA suffers compared to Lubitsch's earlier work, finding it formulaic alongside 1933's TROUBLE IN PARADISE. (I hadn't known Lubitsch had been given 'do-what-thou-wilt' privileges from the Hays Office - I'd labored under the delusion he faced the same restrictions in content and tone every other moviemaker did in 1939.) Other nay-sayers decry the film's jabs at Soviet collectivism as 'dated' if not 'unenlightened'. (Huh? You mean show trials and forced starvation of kulaks were GOOD things that a truly witty screenplay would celebrate?) Still other kibitzers squawk over the casting, of all things! (While it IS fun to picture William Powell or Robert Montgomery in the role of Leon, the boulevardier, Melvyn Douglas was never better than he is here. If he has his spotty moments, it's in those scenes where he must swoon with ardor, reciting dialogue that rings a tad purple to the ear; it's quite possible Powell or Montgomery would have fared even worse reading those lines.) Okay, enough defense - now let's go to NINOTCHKA's numerous strengths. Garbo is magnificent; she has a real knack for comedy (her deadpan entrance is hilarious) yet, as always, is able to break your heart with a look, a word, a gesture. Her three 'stooges' (Sig Rumann, Alexander Granach & Felix Bressart) are broadly funny and genuinely endearing. Ina Claire is everything her legend always claimed she was - though her character is icily calculating, you can't hate any woman who can make dialogue bristle like this. Lubitsch is in complete command throughout; his staging and pacing of the proceedings, masterful in its seeming effortlessness. Even the storied Metro glitz shines in NINOTCHKA, right down to the brilliant artifice of Cedric Gibbons' art direction (the Eiffel Tower sets especially). Last but not least is the superb screenplay by (among other hands) the team of Charles Brackett & Billy Wilder. Wisely, their satiric darts are dipped in a curare leavened by wit and sentiment, and while they are thrown with accuracy, their sting is never such that the satire sinks into the mire of political ideology. NINOTCHKA, after all, is about the triumph of love over politics, and to those who feel trapped in the prevailing toilet-ethic of the Farrelly Brothers' blood-poisoning of modern comedy, represents a much-needed antidote. Inoculate yourself at your earliest opportunity.