Talbot uses a phony land grant to rule thirteen million acres, taxing everyone heavily and evicting those who won't pay. The Three Mesquiteers becomes mysterious "night riders" to fight ... See full summary »
Duke falls for Flaxen in the Barbary Coast in turn-of-the-century San Francisco. He loses money to crooked gambler Tito, goes home and PL: learns to gamble, and returns. After he makes a ... See full summary »
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Talbot uses a phony land grant to rule thirteen million acres, taxing everyone heavily and evicting those who won't pay. The Three Mesquiteers becomes mysterious "night riders" to fight this evil. Written by
Ed Stephan <email@example.com>
[the outlaws are shooting through the windows of the building where the townsmen have holed up]
Well, they're askin' for it!
Yeah. Let's give 'em an answer.
[the townsmen return fire]
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Confession: I nearly always find early b-Westerns more or less enjoyable, there's usually a lot of pleasant easy familiarity and a lot of dated stuff that can or should be forgiven. Just switch off the analysin'. John Wayne made approximately one million of these swift potboilers before he made his name the same year as Night Riders. Even good old Gene Autry didn't make as many.
Baddies forge old document proving the legality of their claim to thirteen million acres of land they promise fairness to the tenants but deliver harshness, endless taxes and death instead. How very like all politicians always! Wayne and his two sidekicks object to this and begin a fightback as mysterious caped crusaders Los Capaqueros replacing The Three Mesquiteers. It's the usual stuff, sub-Zorro fisticuffs and shootouts complete with self conscious melodrama: therefore all I'd hoped for, nothing more. Wayne's cohorts Ray Corrigan and Max Terhune kept on mining the b-picture vein throughout the '40's while Wayne began his climb to superstardom and the making of many movie classics. Highly enjoyable non-serious time-filler!
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