| Boris Karloff | ... | James Lee Wong | |
| Grant Withers | ... | Police Capt. Sam Street | |
| Dorothy Tree | ... | Valerie Edwards | |
| Craig Reynolds | ... | Peter Harrison | |
| Ivan Lebedeff | ... | Michael Strogonoff | |
| Holmes Herbert | ... | Prof. Ed Janney | |
| Morgan Wallace | ... | Brendan Edwards | |
| Lotus Long | ... | Drina, the Maid | |
| Chester Gan | ... | Sing, the Butler | |
| Hooper Atchley | ... | Carslake | |
| Bruce Wong | ... | Asian Man | |
| Jack Kennedy | ... | Police Guard | |
| Joe Devlin | ... | Police Lt. George Devlin | |
| Lee Tung Foo | ... | Willie (as Lee Tong Foo) | |
| Wilbur Mack | ... | Ballistics Expert | |
| Dick Morehead | ... | Police Detective | |
| rest of cast listed alphabetically: | |||
| I. Stanford Jolley | ... | Charades-Player (uncredited) | |
Directed by | |||
| William Nigh | |||
Writing credits | ||
| Scott Darling | (screenplay) | |
| Hugh Wiley | (based on the "James Lee Wong" Series in Collier's Magazine written by) | |
Produced by | |||
| William T. Lackey | .... | associate producer (as William Lackey) | |
| Scott R. Dunlap | .... | executive producer (uncredited) | |
Original Music by | |||
| Edward J. Kay | (uncredited) | ||
Cinematography by | |||
| Harry Neumann | (director of photography) | ||
Film Editing by | |||
| Russell F. Schoengarth | (as Russell Schoengarth) | ||
Art Direction by | |||
| E.R. Hickson | (uncredited) | ||
Production Management | |||
| Charles J. Bigelow | .... | production manager (as Chas. J. Bigelow) | |
| Scott R. Dunlap | .... | in charge of production | |
Second Unit Director or Assistant Director | |||
| W.B. Eason | .... | assistant director | |
Sound Department | |||
| Karl Zint | .... | recording engineer | |
Costume and Wardrobe Department | |||
| Louis Brown | .... | wardrobe | |
Music Department | |||
| Edward J. Kay | .... | musical director (as Edward Kay) | |
| Edward J. Kay | .... | composer: stock music (uncredited) | |
Other crew | |||
| E.R. Hickson | .... | technical director | |
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| The Spider Returns | Mr. Wong, Detective | King of Chinatown | The Black Widow | Making the Headlines |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
What's interesting about 30's mysteries is their variety. The business in partnership with viewers were working out the few modes that would survive. Today we are stuck with only a few of the possibilities; everything else feels wrong because of the expectations we bring to them.
Its not important that this detective is yet another well known white actor in Chinese makeup. What's important is how complex is the mystery, how much we learn as viewers before the detective does (nothing), and how the solution is unrolled at the end.
The notable thing here is how complex the plot is. It is every bit as complex as the Perry Mason things that would come only a little later. But it is ever so much more difficult for us because they've experimented with hiding critical details. If you watch this with modern sensibilities, you'll be baffled.
The setup is a great one, folded of course: the murder happens during a game of charades where the actors are acting out a mystery, and the audience is guessing but has no clue.
Sweet, that. But otherwise, watch this only if you are a student.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.