Mr. Smith Goes to Washington (1939)

User Rating:

8.4/10   

Director:

Frank Capra

Writers:

Sidney Buchman (screenplay)
Lewis R. Foster (story)

Release Date:

19 October 1939 (USA)

Genre:

Drama

Tagline:

Capra at his greatest!

Plot:

A naive man is appointed to fill a vacancy in the US Senate. His plans promptly collide with political corruption, but he doesn't back down.

Plot Keywords:

Boy | Senate | Corruption | Senator | Political Corruption

Awards:

Won Oscar. Another 2 wins & 10 nominations

Cast

Jean Arthur	...	Saunders
James Stewart	...	Jefferson Smith
Claude Rains	...	Senator Joseph Paine
Edward Arnold	...	Jim Taylor
Guy Kibbee	...	Governor Hopper
Thomas Mitchell	...	Diz Moore
Eugene Pallette	...	Chick McGann
Beulah Bondi	...	Ma Smith
H.B. Warner	...	Senator Agnew - Senate Majority Leader
Harry Carey	...	President of the Senate
Astrid Allwyn	...	Susan Paine
Ruth Donnelly	...	Emma Hopper
Grant Mitchell	...	Senator MacPherson
Porter Hall	...	Senator Monroe
Larry Simms	...	Hopper Boy (as Baby Dumpling)

Also Known As:

Frank Capra's Mr. Smith Goes to Washington (USA) (complete title)

Runtime:

129 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

Canada:F (Ontario) | Canada:G (Manitoba/Nova Scotia/Quebec) | Iceland:L | South Korea:12 | USA:Approved (PCA #5370) | USA:TV-G (TV rating) | Argentina:Atp | Finland:S | Germany:o.Al. | UK:U | Australia:G

Filming Locations:

Los Angeles, California, USA

Company:

Columbia Pictures Corporation

Trivia:

In 2007, the American Film Institute ranked this as the #26 Greatest Movie of All Time.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): Jefferson Smith refers to "that lady that's up on top of this Capitol dome, that lady that stands for liberty." Actually, it is the Statue of Freedom.

Quotes:

Clarissa Saunders: How many times have you heard me say "I'm fed up with politics" and I... no, I let him talk me into staying. Secretary to a leader of little squirts! Why? Because I need the job and a new suit of clothes!
Diz Moore: Would you settle for a husband?
Clarissa Saunders: Mmm, I sure would!
[suddenly realizes he's referring to himself]
Clarissa Saunders: Heh?
Diz Moore: You know my old standing offer. Diz Moore, poet of Washington correspondence.
Clarissa Saunders: [smiling] Oh, that again.
Diz Moore: I'd cherish you - and I'd stay sober.
Clarissa Saunders: Oh, Diz, you're a wonderful egg. I don't know, maybe if I saw you once with your hair combed or something...
[Diz sheepishly finger combs his hair]
[...]

Movie Connections:

Featured in "HBO First Look: 'The Contender': The Making of a Political Thriller (#7.17)" (2000)

Soundtrack:

When Johnny Comes Marching Home

Capra-corn but very watchable with some great performances...

Frank Capra's knack for getting the best out of JAMES STEWART and JEAN ARTHUR is demonstrated here with both stars giving superb performances. Ironically, Stewart would not win the Oscar for this role but was awarded one the following year for a lesser role in THE PHILADELPHIA STORY.

As a bumbling, naive senator who is a lamb thrown to the wolves in Washington, D.C., Stewart does a fabulous job--although there are moments when his bumbling awkwardness looks a bit staged. Jean Arthur is a natural for the role of the wise secretary who at first scorns his innocent ways but soon comes to realize he's the real thing.

All of the supporting players are excellent--especially CLAUDE RAINS as a mentor to Stewart who finally has a conscience about deceiving him, and Harry Carey (the western actor) as the man with the gavel who soon realizes that Stewart is not to be underestimated. His reaction shots, grinning and sometimes stifling a grin, say more than words. He and Rains both deserved their supporting role nominations.

But, as usual in a Capra film, you have to be willing to forgive some obvious plot contrivances or overall schmaltz. The ending (when it finally comes after some excessive length in running time) is rather abrupt as though the director suddenly realized he'd gone overtime on the story. And some of the sentimentality (such as the scene where Arthur joins him at the Lincoln Memorial where she knew she'd find him), is hard to swallow until you remind yourself that--hey, this is Capra-corn.

Nevertheless, despite some flaws, it's the kind of comedy-drama about Washington, D.C. that only a director like Capra could make. And the replica of the Senate is amazingly detailed, as are all the interiors which were shot on a soundstage at Columbia. It's also a nice lesson in how the Senate works, how bills have to go through committees, the rules of behavior, filibustering, etc. It will leave you with a warm glow--somewhat like IT'S A WONDERFUL LIFE in that respect.

Summing up: It's Stewart's show all the way. He's at his peak here.