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The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
William A. Wellman
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Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal. Written by
James Yu <email@example.com>
Bitterly denounced by Washington insiders angry at its allegations of corruption, yet banned by fascist states in Europe who were afraid it showed that democracy works. See more »
When Smith arrives in Washington on the train, he's seen walking towards the exit with a porter behind him carrying his bags. The next shot shows the same porter coming into the station carrying someone else's bags. See more »
How many times have you heard me say "I'm fed up with politics" and I... no, I let him talk me into staying. Secretary to a leader of little squirts! Why? Because I need the job and a new suit of clothes!
Would you settle for a husband?
Mmm, I sure would!
[suddenly realizes he's referring to himself]
You know my old standing offer. Diz Moore, poet of Washington correspondence.
Oh, that again.
I'd cherish you - and I'd stay sober.
Oh, Diz, you're a wonderful egg. I don't know, maybe...
[...] See more »
Frank Capra and James Stewart were nearly unsurpassed at the task of taking the kind of story that is optimistic but that borders on being trite, and making it into a satisfying, worthwhile movie. In "Mr. Smith Goes To Washington", they accomplish this with a little help from Jean Arthur, Claude Rains, and Edward Arnold. It's not quite on the level of "It's a Wonderful Life", but it is as good as almost anything else of its kind.
Stewart's performance is important right from the beginning - hardly anyone else could have been believable as the earnest unknown who suddenly becomes an important political figure. Even his wide-eyed appreciation for what he sees in Washington comes across believably. As the story gets more complicated and his character is developed further, Stewart is even better.
The secondary characters are also important, because the story itself is a rather stylized, though still worthwhile, statement about politics. The characters are more believable than are many of the plot developments. Rains contributes a lot as Stewart's troubled colleague, and Jean Arthur is a natural for this kind of role. Arnold plays his devious character well. Capra holds it all together with his craftsmanship, keeping the story on track and getting the most out of the situation.
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