Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal. Written by
James Yu <firstname.lastname@example.org>
One reason Frank Capra made this film was to help him get over the loss of his infant son, who had died following complications from a tonsillectomy. Initially Capra wanted to make a film about Frédéric Chopin, but Columbia head Harry Cohn nixed that on the grounds that it would be too expensive. Capra and Cohn were constantly at loggerheads over budgets, despite Capra being Columbia's most successful director with - at the time - two Oscars under his belt. See more »
Twice, Saunders says that Jefferson Smith is going to go "up" to Mt. Vernon, the home of George Washington. Mt. Vernon is approximately 15 miles south of the Capitol in Washington [you can check that using Google maps], and is right on the Potomac River downstream from Washington, so it is not "up" in a north-south sense nor in the sense of elevation. The script should have had Saunders saying that Smith was going "down" to Mt. Vernon, which is how anyone living or working in Washington would have put it. See more »
You see, boys forget what their country means by just reading The Land of the Free in history books. Then they get to be men they forget even more. Liberty's too precious a thing to be buried in books, Miss Saunders. Men should hold it up in front of them every single day of their lives and say: I'm free to think and to speak. My ancestors couldn't, I can, and my children will. Boys ought to grow up remembering that.
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James Stewart and Frank Capra. One needn't know much more going in to be assured that this will be an enjoyable film. Together they take on the Washington elite with this dramatic comedy about a naïve Washington outsider who gets appointed to the Senate and stands alone against corruption and graft. Jefferson Smith (James Stewart) is appointed from an unnamed state after one of its Senators dies. He is appointed because the political fat cats need someone who will not seem like a crony, but who will not stand in the way of a graft scheme for a pork barrel dam that will make bigwig Jim Taylor (Edward Arnold) millions. When the wide eyed Smith gets to Washington, he discovers the corrupt bill because the dam will stand in the way of his own proposed bill for a children's camp. When he tries to stop the project, Taylor's political machine frames him to make it seem like he is the one taking graft. This leads to the dramatic confrontation in the Senate, where Smith filibusters in an attempt to get the truth out.
This film is wonderful in so many ways. The story is a classic struggle between good and evil. In typical Capra style, the protagonist and antagonists are exaggerated so there is no confusion as to who are the good guys and who are the bad guys. If there is one clear message in Capra's films it is that those with strong moral fiber never give up hope. He likes to create utterly hopeless situations for characters to test their integrity, and rewards unswerving adherence to basic values and principles by triumph against the odds.
I was dismayed to see a comment, obviously from a young viewer of this film, that said that the characters weren't realistic because no one used profanity. This is a sad testimonial to our culture, when it inconceivable to young people that there was once a time when profanity was the exception and not the rule.
Stewart is brilliant as the idealistic and awe struck kid from the backwoods who is overwhelmed by the glory of Washington, with its monuments and history. The story brings us a confrontation between political expediency and idealistic principles with the message that the truly great men are the ones that don't compromise their principles to hold on to power. Stewart also brings a whole treasure chest of bumbling comedic sight gags that make him all the more lovable in the part.
Jean Arthur is fabulous as the tough and savvy assistant who is jaded by Washington politics, but gets a fresh injection of fervor as she listens to Smith's noble homespun philosophies. Claude Rains is also masterful as the adulterated Senator, who sold his soul to corruption for a chance at the presidency. He plays the simultaneous sense of guilt and ambition with a torment that is clearly ripping his heart out, and the power of both emotions portrayed in his performance makes his character both repugnant and pitiable.
This film is a national treasure. It is in my top 50 list of all time. The story of corruption in politics and the greatness of the men who resist it is timeless and would not be lost on the politicians in Washington today. A 10/10.
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