After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal. Written by
James Yu <firstname.lastname@example.org>
In 1942, when a ban on American films was imposed in German-occupied France, the title theaters chose Mr. Smith Goes to Washington (1939) for their last movie before the ban went into effect. One Paris theater reportedly screened the film nonstop for thirty days prior to the ban. See more »
Twice, Saunders says that Jefferson Smith is going to go "up" to Mt. Vernon, the home of George Washington. Mt. Vernon is approximately 15 miles south of the Capitol in Washington [you can check that using Google maps], and is right on the Potomac River downstream from Washington, so it is not "up" in a north-south sense nor in the sense of elevation. The script should have had Saunders saying that Smith was going "down" to Mt. Vernon, which is how anyone living or working in Washington would have put it. See more »
[dictating into phone]
In protest, the whole Senate body rose and walked out.
No! No, not that straight stuff. Now listen, kick it up, get on his side, fight for him! Understand?
You love this monkey - don't you?
What do you think? Now listen, go to work. Do as I tell you.
Throw out that last, take this. This is the most titanic battle of modern times. A David without even a slingshot rises to do battle against the mighty Goliath, the Taylor machine, allegedly crooked inside and out....
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It works in a way no other movie could, THERE IS PROOF
Now, I must admit that this is one of my top five favorite films. There is a warmth, idealism, and kinda simple feeling of hope, that makes one believe that things will work out in the end. Capra knew exactly what he wanted, and it shines. Jimmy Stewart, in the role of his life, makes us believe, what we know is almost impossible in todays crass world.
Claude Rains is incredible as Senator Smith's evil mentor. Jean Arthur, as his confidant, plays the part so well,that we just want her to save the day.
The final scene, where the filibuster is taking place, is among the greatest ever made.
BUT THE PROOF, YOU ASK?
In the early 80s, I showed this film, over three days, to a group of 15 year old inner city teenagers. I taught Political Science in a very difficult school in Chicago. It was a new class, and not all of the "best" students took it.
I decided to show this film at the end of the year, just to see how long I could keep the students attention. I didn't expect much. Fifteen is a very tough age to keep any kind of attention span, and it was at the end of the day, 2:30 -3:15 pm. which made things worse. As the film began, there was rustling in the seats, boredom, that famous oh what a waste of time look...Mind you, this is 43 year old film, about a white Senator, in those "old" days, and being shown to a totally Afro-American crowd of 15 year olds, late in the day, (over a three day period, which meant the students would have to wait till the next day to see what was going on. ..By the end of the third day, Capra had worked his magic, and the entire class was spellbound by this film. They were there till the very end, and you could see how much they enjoyed seeing a film, that they wouldn't have looked at in a thousand years..Comments were wonderful. Any film that could accomplish this, more than 40 years after its conception, to a crowd that one would believe would have no interest deserves to be truly called a "great film."
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