Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
William A. Wellman
At the wedding of Albert and Anna, Karl, the new chauffeur, arrives. Albert is the head butler, second generation to the Baron. Karl soon seems out of place as a servant, and Albert tells ... See full summary »
Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal. Written by
James Yu <firstname.lastname@example.org>
The scenes where James Stewart wanders around in amazement at the Washington monuments were "stolen", since the US Parks Service had denied the studio permission to film near them. See more »
Twice, Saunders says that Jefferson Smith is going to go "up" to Mt. Vernon, the home of George Washington. Mt. Vernon is approximately 15 miles south of the Capitol in Washington [you can check that using Google maps], and is right on the Potomac River downstream from Washington, so it is not "up" in a north-south sense nor in the sense of elevation. The script should have had Saunders saying that Smith was going "down" to Mt. Vernon, which is how anyone living or working in Washington would have put it. See more »
I guess this is just another lost cause, Mr. Paine. All you people don't know about lost causes. Mr. Paine does. He said once they were the only causes worth fighting for. And he fought for them once, for the only reason any man ever fights for them; because of just one plain simple rule: 'Love thy neighbor.'... And you know that you fight for the lost causes harder than for any other. Yes, you even die for them.
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The media and those in Washington, D.C. cringed in 1939 when Frank Capra (Oscar-nominated for directing) come out with "Mr. Smith Goes to Washington". Capra, fresh off amazing successes like "Lady for a Day", "It Happened One Night", "Mr. Deeds Goes to Town", "Lost Horizon" and "You Can't Take It With You", used his power to slap some bigwigs in the face with a powerful medium---the motion picture. The result was an immediate backlash by publications and politicians, but cheers from critics and the audience. As with society, the critics and the masses won out as the movie is a masterpiece in every way. A U.S. Senate vacancy leads to a dilemma. Who should be put in office? Everyone believes the apparently naive and gullible James Stewart (Oscar-nominated) is the logical choice because he will be easy to manipulate and he won't rock the boat. Stewart, the leader of the Boy Rangers (a local camp association for youngsters), gets blind-sided by many high-ranking officials who have alterior motives (Oscar nominees Harry Carey and Claude Rains in particular) when his idea for a national boys' camp goes by the wayside. Thus the only thing left for Stewart is to beat those in charge by beating them at their own game---creating a filibuster (a never-ending governmental argument for his cause). Stewart is solid as always here and the supporters (love interest/reporter Jean Arthur and drunk newspaper man Thomas Mitchell included with the aforementioned players) are all terrific throughout. The Oscar-winning screenplay is deceptively intelligent and Capra just had the uncanny ability to mix comedy, drama and interpersonal characterizations together to make consistently wonderful American film experiences. 5 stars out of 5.
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