| Peter Lorre | ... | Mr. Kentaro Moto | |
| Ricardo Cortez | ... | Fabian the Great | |
| Virginia Field | ... | Connie Porter | |
| John Carradine | ... | Danforth / Richard Burke | |
| George Sanders | ... | Eric Norvel | |
| Joan Carroll | ... | Marie Delacour | |
| Robert Coote | ... | Rollo Venables | |
| Margaret Irving | ... | Madame Delacour | |
| Leyland Hodgson | ... | Capt. Bert Hawkins | |
| John Davidson | ... | Hakin | |
| rest of cast listed alphabetically: | |||
| Carol Adams | ... | Minor Role (uncredited) | |
| Jimmy Aubrey | ... | Waiter (uncredited) | |
| Ted Billings | ... | Barfly (uncredited) | |
| A.R. Bogard | ... | Hoist Man (uncredited) | |
| Daniel Boone | ... | Deep Sea Diver (uncredited) | |
| David Cavendish | ... | Deck Officer (uncredited) | |
| E.E. Clive | ... | Port Commandant General (uncredited) | |
| Neil Fitzgerald | ... | English Sergeant (uncredited) | |
| Harold Goodwin | ... | Nightclub Bouncer and Seaman (uncredited) | |
| Holmes Herbert | ... | Bentham (uncredited) | |
| George Humbert | ... | Stage Manager (uncredited) | |
| Jacques Lory | ... | Markaday - Juggler (uncredited) | |
| Pat McKee | ... | Seaman Observing Fight (uncredited) | |
| Lal Chand Mehra | ... | Customs Officer (uncredited) | |
| Victor Metzetti | ... | Cab Driver (uncredited) | |
| Robert F. Owens | ... | Tender (uncredited) | |
| Jack Perry | ... | Guard at Door (uncredited) | |
| Georges Renavent | ... | Adm. Jacques Delacour (uncredited) | |
| Wayne Rivers | ... | Cable Man (uncredited) | |
| Bert Roach | ... | Hotel Clerk (uncredited) | |
| C. Montague Shaw | ... | Adm. Lord Streetly (uncredited) | |
| Teru Shimada | ... | Fake Mr. Moto (uncredited) | |
| H.W. Stroele | ... | Tender (uncredited) | |
| Al Wesslen | ... | Deep Sea Diver (uncredited) | |
| Eric Wilton | ... | Deck Steward (uncredited) | |
Directed by | |||
| Norman Foster | |||
Writing credits | ||
| John P. Marquand | (character) | |
| Philip MacDonald | (original screenplay) and | |
| Norman Foster | (original screenplay) | |
Produced by | |||
| Sol M. Wurtzel | .... | executive producer | |
Original Music by | |||
| David Raksin | (uncredited) | ||
Cinematography by | |||
| Virgil Miller | (photographed by) | ||
Film Editing by | |||
| Norman Colbert | |||
Casting by | |||
| Phillip Moore | (uncredited) | ||
Art Direction by | |||
| Lewis H. Creber | (as Lewis Creber) | ||
| Bernard Herzbrun | |||
| Freddie Stoos | (uncredited) | ||
Set Decoration by | |||
| Thomas Little | |||
Costume Design by | |||
| Helen A. Myron | |||
Makeup Department | |||
| Fred B. Phillips | .... | makeup artist (uncredited) | |
| Jean Thomas | .... | hair stylist (uncredited) | |
Production Management | |||
| V.L. McFadden | .... | production manager (uncredited) | |
| Sam Schneider | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jasper Blystone | .... | assistant director (uncredited) | |
| Charles Faye | .... | assistant director (uncredited) | |
Art Department | |||
| Larry Haddock | .... | assistant property master (uncredited) | |
| George Peckham | .... | props (uncredited) | |
| Walter Poggi | .... | assistant property master (uncredited) | |
| Walter M. Scott | .... | set dresser (uncredited) | |
Sound Department | |||
| William H. Anderson | .... | sound | |
| E. Clayton Ward | .... | sound | |
| R.M. Braggins | .... | cable person (uncredited) | |
| Emmett O'Brien | .... | assistant sound (uncredited) | |
| Harry Roberts | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Tad Gillum | .... | still photographer (uncredited) | |
| Louis Johnson | .... | gaffer (uncredited) | |
| F. Mime | .... | best boy (uncredited) | |
| Roger Murphy | .... | grip (uncredited) | |
| John F. Warren | .... | assistant camera (uncredited) | |
| William P. Whitley | .... | camera operator (uncredited) | |
| Dan Wurtzel | .... | assistant grip (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe supervisor (uncredited) | |
| Sandy Sandeen | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Douglass Biggs | .... | assistant cutter (uncredited) | |
Music Department | |||
| Samuel Kaylin | .... | musical director | |
| David Buttolph | .... | composer: stock music (uncredited) | |
Other crew | |||
| Helen Torres | .... | script clerk (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
This one starts out especially murky, bristling with bad hats rubbing shoulders with innocent Westerners in a strange land. What they're all up to takes some resolving, but be reassured Moto's in charge, even though he unwittingly sends 2 of his cohorts to their deaths along the way. High production values compliment an interesting if far-fetched storyline.
A gang of jittery international spies working for an un-named foreign power aim to disrupt the French fleet heading into Port Said in Egypt and cause rupture between those very old long-standing allies Britain and France, Moto's aim is to disrupt the baddies first. All-knowing Ricardo Cortez has a strange job as ventriloquist to his unexplained Cockney dummy Alf, while his second George Sanders puts on a seedy French accent with gusto if not skill. Poor old John Carradine though! And good for Cortez's moll with moral fibre Virginia Field! A tense climax is guaranteed with Moto in the bag, and is ingenious when it arrives.
A great little film for those of us who like the genre, not unless.