At Middleton College, controlled by rich donor Melton, only paying sports are allowed. But Freddie Frye, conniving student body president, has to get a letter in some sport to win back his ... See full summary »
Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won't be distracted from his ... See full summary »
A small country on the verge of bankruptcy is persuaded to enter the 1932 Los Angeles Olympics as a means of raising money. Either a masterpiece of absurdity or a triumph of satire, ... See full summary »
Set at the turn of the century, smooth talking con man Eddie Johnson weasels his way into a job at friend and rival Joe Rocco's Coney Island night spot. Eddie meets the club's star ... See full summary »
A young woman at a girl's school in Switzerland makes up stories about and writes herself letters from an imaginary explorer-adventurer father; and is eventually put in a position where she... See full summary »
Music-hall star Madeleine Marlowe leaves London engaged to the Duke of Trippingham only to find back home that Police Gazette hack Samuel A. McGee has exposed her as former burlesque queen ... See full summary »
A bookie uses a phony real estate business as a front for his betting parlor. To further keep up the sham, he hires dim-witted Ellen Grant as his secretary figuring she won't suspect any ... See full summary »
At Middleton College, controlled by rich donor Melton, only paying sports are allowed. But Freddie Frye, conniving student body president, has to get a letter in some sport to win back his girl Susie; he schemes to revive crew boat racing. Sinking boats, no money, and his own waistline stand in his way. Can they win the big race with State University? Written by
Rod Crawford <email@example.com>
College escapades featuring burgeoning talent were never so easy to take. Somewhat presaging Best Foot Forward, this was Betty Grable's first top ten grosser. To this day, Betty is the only adult female to score consistently highly in the top 10 grossing performer list -- she did it nine straight years. Aside from Shirley Temple, no other woman has managed to do it more than 3 years in a row. So, the impact she made for her studios in movies like this is greatly forgotten by today's movie scholars who prefer the superior acting and early feminism of Kate Hepburn, Bette Davis, and Ida Lupino. But, make no mistake, in studios where dollars, count, Betty Grable was a bigger star than the other 3 combined. And movies like this were why.
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