In a mythical Japan, Ko-Ko, a cheap tailor, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. He lights upon Nanki-Poo, a ... See full summary »
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Nanki-Poo, the son of the Mikado, leaves home and disguises himself as a musician to escape a distasteful marriage - and meets a beautiful girl, Yum-Yum, with whom he falls in love. He ... See full summary »
In a mythical Japan, Ko-Ko, a cheap tailor, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. He lights upon Nanki-Poo, a strolling minstrel who loves the beautiful Yum-Yum. But Yum-Yum is also loved by Ko-Ko, and Nanki-Poo, seeing no hope for his love, considers suicide. Ko-Ko offers to solve both their problems by executing Nanki-Poo, and an agreement is reached whereby Ko-Ko will allow Nanki-Poo to marry Yum-Yum for one month, at the end of which Nanki-Poo will be executed, in time for the arrival of the Mikado. But what Ko-Ko doesn't know is that Nanki-Poo is the son of the Mikado and has run away to avoid a betrothal to an old harridan named Katisha. The arrival of the Mikado brings all the threads of the tale together. Written by
Jim Beaver <email@example.com>
This film romps through the Mikado in less than 90 minutes. Numbers are omitted or performed out of sequence. Most remaining numbers get only one verse. It ought to be a disaster but it is, in fact, highly enjoyable. The American lead Kenny Baker, as Nanki-Poo, and Jean Colin, as Yum-Yum both, strangely, sound as though they inhaled from a helium balloon before they started to sing. The rest of the parts are taken by D'Oyly Carte dependables. This was all beautifully shot at Pinewood Studios with excellent costumes and sets. I could not tell if the singing was lip-synched so, if it was, it was done very well. Maybe this film even predates the introduction of lip-synching.
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