A teenage girl runs away from home because police officer/stepfather puts the moves on her. Hitchhiking to California, she's picked up by two guys who are also traveling cross-country. ... See full summary »
John A. Russo
Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is ... See full summary »
Showgirl Eve, stranded in Paris without a sou, befriends taxi driver Tibor Czerny, then gives him the slip to crash a party. There she meets Helene Flammarion and her gigolo Picot, who's attracted to Eve. Helene's scheming husband Georges enlists Eve's aid in taking Picot away from his wife. It works well... at first. Meanwhile, lovestruck Tibor searches for Eve. But then he learns she's calling herself Baroness Czerny! Written by
Rod Crawford <firstname.lastname@example.org>
After Wilder and Brackett fought with director Mitchell Leisen to make sure as much of their work made on the screen as possible, Wilder was convinced he had to direct the scripts they wrote and Brackett was convinced he had to produce. See more »
When Eve attends the concert (c. 7 minutes) she is completely dry despite her roaming the streets in the rain previously. See more »
[Trying to describe Helene's hat]
Oh, I think it's a dream on you. You know, it does something for your face. It gives you a chin.
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There are few films that can be seen often without the viewer tiring of them. Midnight is one of them. It glides effortlessly through the tinsel and magical world of barons and down-on-their heels showgirls without taking a mean shot at anyone. Claudette Colbert shows that she lost none of her "It Happened One Night" edginess, and Don Ameche gives the performance of his career as the romantic cab driver who sees himself as worthy to steal Colbert away from her rich suitor. John Barrymore may have been in decline at this point in his career-----but this is his last great effort at creating a truly endearing comic character. He does so splendidly. Mary Astor combines beauty and bitchiness in a memorable role. And what is there to say about Rex O'Malley as her gay pal in all this business? It is a shame that he is virtually unknown today, and didn't get many opportunities to show what a fine comic actor he was.
Midnight deserves a much wider audience than it now has. Billy Wilder and Charles Brackett have written wonderful comic dialog that continues to charm and amuse today's viewers. And it is without doubt Mitchell Leisen's masterpiece.
This is THE romantic comedy to see with someone you love.
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