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The Marshal of Mesa City (1939)

Passed  -  Adventure | Romance | Western  -  3 November 1939 (USA)
6.4
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Ratings: 6.4/10 from 78 users  
Reviews: 4 user | 1 critic

School teacher Virginia King, annoyed by the unwanted attentions from Mesa City sheriff Jud Cronin, resigns and departs for Yuma. Her stagecoach is attacked by a gang led be Cronin's ... See full summary »

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Title: The Marshal of Mesa City (1939)

The Marshal of Mesa City (1939) on IMDb 6.4/10

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Cast

Complete credited cast:
...
Cliff Mason
Virginia Vale ...
Virginia King
...
Sheriff Jud Cronin
...
Duke Allison
Harry Cording ...
Henchman Bat Cardigan
Lloyd Ingraham ...
Mayor Sam Bentley
...
Henchman Jake Morris
Joe McGuinn ...
Henchman Pete Henderson
Mary Gordon ...
Mrs. Dudley
Frank Ellis ...
Henchman Slim
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Storyline

School teacher Virginia King, annoyed by the unwanted attentions from Mesa City sheriff Jud Cronin, resigns and departs for Yuma. Her stagecoach is attacked by a gang led be Cronin's henchman Pete Henderson, trying to force her to return to Mesa City. Ex-lawman Cliff Mason comes along and disarms and unmasks the outlaws. It will take several days to repair the coach and Cliff takes Virginia back to Mesa City. Cliff identifies the outlaws, but Marshal Andy Thompson is killed trying to arrest Henderson, who makes a getaway. Mayor Sam Bentley appoints Cliff marshal pro tem. Cliff arrests the outlaws but Judge Wainwright is on Cronin's payroll and sets them free. Cliff persuades the city council to pass a law forbidding the carrying of firearms by others than officers of the law. Cronin sends for Duke Allison, notorious gunman, to deal with Cliff, but Cliff saves Duke's life and Duke accepts a deputy marshal's badge from Cliff. Cronin arrests Cliff and Duke for the killing of Henderson, ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Plot Keywords:

marshal | sheriff | judge | stagecoach | jail | See more »

Taglines:

TERROR TOWN OF THE YUMA TRAIL! ...Tamed by the wildcat whose aim was as sure as his heart was true! (original poster) See more »


Certificate:

Passed | See all certifications »
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Details

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Release Date:

3 November 1939 (USA)  »

Also Known As:

The Marshal of Mesa City  »

Company Credits

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Technical Specs

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Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Cliff Mason: I know that breed. They don't like to fight unless they have the drop on someone.
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Connections

Edited into Meanwhile, Back at the Ranch (1976) See more »

Soundtracks

Goodnight Ladies
(uncredited)
Music traditional
Played by the band at the first dance
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User Reviews

 
Good cast + literate script + creative direction = six gun enjoyment
18 June 2003 | by (California) – See all my reviews

A low budget movie about a corrupt sheriff, a pretty school marm, and a drafted marshal is a likely recipe for the routine. MOMC not only avoids the routine but also raises itself above many "A" westerns of the 40's and 50's. The four principals are all excellent and bring life to their characters. Ames is convincingly detestable as the scheming suitor who can't understand "no", all the while maintaining his private gang of hoods. Vale, the co-star of a number of O'Brien westerns, has an appealing vivacity and makes one understand why Ames is infatuated. Henry Brandon has an interesting role as Duke Allison, a gunfighter brought in to handle O'Brien. His entrance in a saloon is a standout. Another nice moment is when he "turns in" his gun to O'Brien. If you look closely, you'll see he isn't completely comfortable handling his six-shooters but this is a minor quibble and doesn't detract from his performance. George O'Brien brings an easy going confidence to his role as an ex-marshal just trying to get on with his life. He's not non-violent in the Destry mold but he doesn't seek confrontation as many "B" western marshals would. I don't know how real western marshals acted but I would expect some would act with the quiet, low key manner of O'Brien's. Much of the credit for the standout moments in this movie go to the writers including the uncredited Academy Award winning writer Dudley Nichols. The script clearly is a cut or two above most movies of this ilk. A good cast and script can only go so far, however, without a director equal to them. As Howard proves, one doesn't need a big budget when provided good ingredients and recipe. He gets the most out of the characters and makes them real people, people with personalities you believe. The climactic showdown in the smoke is an inspired scene that brings a close to this worthy movie.

This isn't the greatest western ever or even a great western. It won't replace Josey Wales in my video library and people won't be comparing it to High Noon. What it is is an excellent example of how much can be accomplished on a low budget with second tier, but not second rate, actors. It is a fine little western, better than many Randolph Scott oaters, and well worth a look.


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