Deresco owner of a night club in neutral Portugal, works a free-lance spy for everybody who can afford his price. He tries to get information from US agent John Craig with help from ... See full summary »
Erich von Stroheim
An ex-con, just out of prison, and his wife meet a screen writer on the train and decide that, since he's writing about crime without knowing much about it, collaborating with him would be ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
In 1914 E. Philips Openheim wrote a classic spy thriller (a timely one too) about evil agents of Wilhelmine Germany plotting to place a mole in English high society. The plot begins in Africa, where a German aristocrat (and spy) named Leopold Von Ragenstein is on safari, and meets an worn out, drunken English aristocrat named Sir Everard Dominey. Dominey has very high connections in society to social and political leaders in England, and has access through them to major military and diplomatic secrets. Von Ragenstein notices that he and Dominey look very similar in appearance. The German decides to invite the Englishman on the safari, and kill him safely away from notice in the jungle, and then take over the Englishman's identity and use it to feed plenty of information to the Germans. The novel follows the return of Sir Everard, and the issue which perplexes everyone (English and German) is who has returned: Sir Everard or Baron Leopold.
The Oppenheim novel was made into a film starring Ralph Bellamy. It is not the first novel about twins changing places (Mark Twain's THE PRINCE AND THE PAUPER dealt with the same situation), nor the first showing how politics might be affected. Is such a situation possible? Probably not. Somewhere along the line the impostor would make a major error (forgetting some critical fact the real person knows, or acting somewhat oddly).
This film takes the idea of Oppenheim's novel (and of Twain's earlier novel, for that matter), and puts it into a political switch. Instead of an important aristocrat replaced by a spy, it is an actor who replaces a great statesman to complete that statesman's policy.
Akim Tamiroff plays actor Jules Lacroix who is performing before President Alvarado of a Latin American country (also Tamiroff). Alvarado has been giving an honest government to the country, and has made a treaty he is negotiating a keystone to his policy. But he has made many enemies, and is fatally injured during the performance by a bomb. Before he dies he talks to the show's impresario, a friend of his named Sam Barr (Lloyd Nolan). Alvarado notices how much Lacroix looks like him. He begs Barr and Lacroix to have the latter replace him so to complete the negotiations as Alvarado. They agree.
So word is spread that it was Lacroix who was killed, and the President was wounded. There are a few problems. Robert Warwick plays General Hernandez. He and Frank Reicher (Mandietta Garcia) have been two of the leading figures of the administration, but neither really were favoring Alvarado's reforms. They are playing along "for awhile", but expect that Lacroix will announce that he is too ill to continue in office and will advise that Warwick get the Presidency. They are nervous that if word of the actual death of Alvarado comes out the public will want the Presidency to be given to Dr. Luis Virgo (George Zucco, curiously enough) who has worked closely with Alvarado on the reforms.
So the situation has the nervous Tamiroff being steadied by Lloyd Nolan, as he navigates between his ego (he loves this - the part of a lifetime), his fears (he knows he is a target of assassins), his sense of duty (he comes to loath the selfish Warwick and Reicher), and his desires (he finds an old flame - Mary Boland - who knows it's Jules and not the President who is alive). Nolan too has to fight the revolutionaries and hold off Warwick and Reicher.
If the story is far fetched, it is also well told and acted. It's conclusion may seem a little melodramatic, but the last moments on screen between Boland and Tamiroff are actually quite moving. I would give the film a "7" out of "10".
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