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I have to agree with other reviews as to the strange mix of genres and bizarre lack of conventional story structure. Normally, in the traditional three-act structure, the basic dilemma is set up in the first act, but in this film, the story just sort of segues gradually into the marriage and then one personal crisis after another, culminating in the illness of the child. In spite of all its shortcomings, Lombard's warmth and vulnerability shine through. I thought Stewart's gradual descent into desperation and self-recrimination strangely prefigured George Bailey in `It's A Wonderful Life.'
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