6.5/10
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49 user 14 critic

Made for Each Other (1939)

Approved | | Comedy, Drama, Romance | 10 February 1939 (USA)
While on a business trip, an ambitious young lawyer meets and immediately falls in love with a stranger. They wed the following day, and tragedy soon strikes.

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Cast

Complete credited cast:
...
...
...
Judge Joseph M. Doolittle
Lucile Watson ...
Mrs. Harriet Mason
...
Conway
...
Sister Madeline
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Storyline

Young lawyer meets and marries girl after knowing her one day. Takes bride home to meet his mother who disapproves of the marriage. Lawyer thinks everything will be fine as he moves up the ladder of the law firm. He doesn't and things get tough. A baby makes things even tougher. Written by Jack Pfeifer <jackhpfeifer@yahoo.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

10 February 1939 (USA)  »

Also Known As:

A Vida Começa Amanhã  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A clip of this movie is used in Foreigner's music video, "I Don't Want To Live Without You" See more »

Goofs

When Johnny comes home drunk, his collar changes throughout the scene from being flipped up in the back to being properly placed. See more »

Quotes

Jane: Are you a man or a mouse?
John Horace 'Johnny' Mason: A mouse!
See more »

Crazy Credits

Opening credits start with hands signing "Carole Lombard" and "James Stewart" to a marriage license. See more »

Connections

Featured in Cow Belles (2006) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
In the score in the opening scene showing the marriage kicense
See more »

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User Reviews

strange story structure
15 January 2003 | by (United States) – See all my reviews

I have to agree with other reviews as to the strange mix of genres and bizarre lack of conventional story structure. Normally, in the traditional three-act structure, the basic dilemma is set up in the first act, but in this film, the story just sort of segues gradually into the marriage and then one personal crisis after another, culminating in the illness of the child. In spite of all its shortcomings, Lombard's warmth and vulnerability shine through. I thought Stewart's gradual descent into desperation and self-recrimination strangely prefigured George Bailey in `It's A Wonderful Life.'


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