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Storyline
French playboy Michel Marnet and American Terry McKay fall in love aboard ship. They arrange to reunite 6 months later, after Michel has had a chance to earn a decent living. Written by
Diana Hamilton <hamilton@gl.umbc.edu>
Plot Summary
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Did You Know?
Trivia
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 1, 1940 with
Irene Dunne reprising her film role.
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Goofs
When Michel is waiting for Terry on the Empire State Building into the evening, and a thunder storm breaks out, the same forked lightning strike is seen at least 4 times in the background, always in the identical location - which is highly unlikely.
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Quotes
Terry McKay:
The things we like best are either illegal, immoral or fattening.
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Crazy Credits
Opening credits are on pages of a book, through which someone is paging.
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Connections
Referenced in
Bachelor Mother (1939)
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Soundtracks
"Jingle Bells"
(1857) (uncredited)
Music by
James Pierpont
Played in the score at Christmas
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I can't believe that this film is so forgotten by the film viewing public. This film is one of the better romances of the 1930s but, thanks to a mention of AN AFFAIR TO REMEMBER in the movie SLEEPLESS IN SEATTLE, AN AFFAIR TO REMEMBER is now considered a "classic"--But how can this be...?! After all, LOVE AFFAIR is the original and AN AFFAIR TO REMEMBER is a by-the-numbers and relatively boring remake. Charles Boyer and Irene Dunne are wonderful in this film. And, the direction and writing were excellent. However, doing NEARLY the exact same film two decades later seems pointless. I like Cary Grant and have nothing in particular against Deborah Kerr--but they just aren't as good as the originals.
Do yourself a favor. If you haven't seen either film, watch this one first. And, if you have seen only AN AFFAIR TO REMEMBER, see this film and find out how beautiful and well-made this film is. Also, if you like LOVE AFFAIR, try seeing another great romance, SMILIN' THROUGH (1932). It has a lot in common with LOVE AFFAIR and you can even see that the writers of this later film "borrowed" one of the plot twists from SMILIN' THROUGH.