Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »
After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »
Shirley is the orphaned survivor of an Indian attack in the Canadian West. A Mountie and his girlfriend take her in. Everybody suffers further Indian attacks and the Mountie is saved from ... See full summary »
William A. Seiter,
Shirley lives with a lighthouse keeper who rescued her when her parents drowned. A truant officer decides she should go to boarding school, but she's rescued by relatives. Buddy Ebsen dances "At The Codfish Ball" with Shirley.
Ching-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ... See full summary »
Shirley Temple's father, a rebel officer, sneaks back to his rundown plantation to see his family and is arrested. A Yankee takes pity and sets up an escape. Everyone is captured and the ... See full summary »
Dimples Appleby lives with the pick-pocket grandfather in 19th century New York City. She entertains the crowds while he works his racket. A rich lady makes it possible for the girl to go legit. "Uncle Tom's Cabin" is performed.
When her father, Captain Crewe, goes off to fight in the Boer War, young Sara Crewe is placed into the care of Amanda Minchin, the head of an exclusive private school for girls. Sara lives a wonderful life of a privileged child and is quite happy in her surroundings. When her father is listed as missing in action however, her life goes from one of plenty to that of a poor house maid. Mrs. Minchin agrees to keep her on at the school, but in the absence of her tuition payments, she has to work for her keep. She is soon cleaning out the fireplace and scrubbing floors and is dubbed the little princess by her former schoolmates. She also refuses to accept that her father is dead and prowls the hospitals in the hope of locating him. Luck - and Royal intervention - assist her in her quest. Written by
The reason Shirley Temple hadn't made a movie in Technicolor until this one was that the Technicolor company insisted that 1,000 foot-candle lights be used to get proper exposure on their film. These incredibly bright lights produced so much heat that the staff at Fox thought a child Temple's age would be hurt working under such conditions. So, with the cooperation of the Technicolor company, cinematographer Arthur C. Miller worked on a series of tests using lower levels of light, and finally discovered that 400 to 500 foot-candle lights would produce a satisfactory Technicolor image without generating so much heat to risk injuring Temple and the other children in the film's cast. See more »
There are many references in the film to receiving "mail" and "mailing" letters. The British terminology is always receiving "post" and "posting" letters. See more »
Why are they sending so many soldiers, daddy, if it's only going to be a little war?
Captain Reginald Crewe:
To make those stubborn Boers take us seriously this time, my darling. When they realize Her Majesty intends to put a stop to their nonsense, they'll quiet down.
They'd better. Anyhow, when you get there, you'll stop them. Won't you, daddy?
Captain Reginald Crewe:
I'll do my best, dear.
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A small child, affectionately known as THE LITTLE PRINCESS, must endure great hardship after her father is killed in the Boer War.
Shirley Temple had her last great box-office triumph in this splendid Technicolor adaptation of the Frances Hodgson Burnett childhood classic. No longer a tiny tot - she turned eleven the year THE LITTLE PRINCESS was released - but still a little trooper, Shirley exhibits once again the tremendous charm & talent which made her Hollywood's top box office draw. With wrinkled brow & tremulous lip or bouncing curls & joyous smile, she adeptly displays just the right mood or mannerism to keep the focus of the audience's attention firmly grasped in her chubby fists.
The supporting players' roster is abundantly well cast: stalwart Ian Hunter appears as Shirley's soldier father - this very fine actor wisely uses his acting skills to keep from being completely upstaged by the mighty moppet; handsome Richard Greene & lovely Anita Louise play the riding master & teacher who befriend Shirley - their roles aren't terribly significant, but they fill them quite well.
Mary Nash is once again cast as Shirley's tormentor, this time playing the evil-spirited headmistress of an exclusive girls' seminary. This accomplished actress did not appear in many films, but she could generally be counted on to provide a vivid performance - notice the relish with which she essays her small part in the medieval fantasy sequence (`I know my rights, I know the law and what I say I saw, I saw!'). Long-legged, adenoidal Arthur Treacher plays her henpecked brother; he is a delight during his two romps with Shirley to the music hall ditty Knocked Em In The Old Kent Road.'
Cesar Romero quietly portrays an Indian servant in a small, but important, role; Miles Mander & E. E. Clive both appear as hardhearted, crusty old gentlemen - only one is regenerated by film's end. Sweet Beryl Mercer makes the most of her few moments as a stately, kindhearted Queen Victoria - while Eily Malyon is a true fright as the school's slatternly cook. Marcia Mae Jones participates in one of the film's most memorable moments, when, as a particularly vile teenager, she receives a face full of fireplace ashes, courtesy of sweet Shirley.
Special attention should be given to ten-year-old South African Sybil Jason, who plays the wistful waifish charmaid who idolizes Shirley. In her American film debut, Warner's LITTLE BIG SHOT (1935), she proved wonderfully winsome & winning, but the storm of attention surrounding Miss Temple (exactly 19 months older than Miss Jason) tends, at this remove, to swamp the boats of the other female child stars of the period. However, delightful Sybil deserves to be remembered & appreciated for her own accomplishments.
The Stolen Kiss, a lavish fantasy dream sequence, provides a welcome few minutes change of pace for Temple, Nash, Louise, Greene, Treacher & Romero.
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