Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary style film of both newsreel and ... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
Young Jane Benson just about manages to make ends meet running the large family house in Yorkshire. In love with local doctor Freddie Jarvis, she suggests they marry, but almost at once ... See full summary »
An elderly artist thinks he has become too stale and is past his prime. His friend (and agent) persuades him to go to an offshore island to try once more. On the island he re-discovers his ... See full summary »
When an ex-dancer marries a man for his money she is suprised find he is a real skinflint. She owes a lot of money to a loan-shark who is after her. However, her husband does carry a lot of... See full summary »
David Barr is the manager and chief designer of a British shipyard (when we still built ships). The shipyard is in financial trouble but Barr has a design for a new ship that will save them... See full summary »
Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary style film of both newsreel and acting. This first of its kind in propaganda films of World War II, shows the might of the English Empire and its eagerness to stand up to the oppressors of morality and free will. Crude but effective propaganda cinema that sets the tone for things to come. With its stiff upper lip attitude that pays tribute to the nations prides and shows the black plague of Nationalism spreading across Europe that England shall be motivated, ready and willing to retaliate. Written by
Because it was started and completed so soon after the declaration of war and was seen to show how useful films could be in wartime, this film is considered to have done a lot towards allowing the British film industry to remain active throughout WWII, unlike in WWI when all cinemas were closed and filming effectively stopped for the duration. See more »
The section of the film detailing Germany's prewar conquests contains several errors. The narrator states that Germany occupied the Rhineland in March, 1934. In fact, it was in 1936. Immediately after, a map inaccurately depicts the dismembering of Czechoslovakia in October 1938 and March 1939. The 1938 map depicts Germany annexing the Sudetenland, which is somewhat incorrectly drawn upon the map, but neither it nor the narration shows Hungary annexing the southern portion of Czechoslovakia, nor Poland taking the Teschen district in the center north of the country, both of which occurred simultaneously with Germany's occupation of the Sudetenland. (The narrator also speaks of the Sudetenland going "back" to Germany, though in fact it had never been part of Germany.) When the final dismemberment of Czechoslovakia in March 1939 is depicted, Germany is shown annexing outright not only the western Czech lands of Bohemia and Moravia (which it did annex), but the center of the country as well; meanwhile, the extreme eastern end of the country is labeled "Slovakia", the nominally independent satellite state recognized by Germany. In fact, Slovakia was located in the center of the country, in areas inaccurately depicted as annexed to Germany; the eastern portion labeled "Slovakia" in the film is in fact an area then known as the Carpatho-Ukraine, which was annexed by Hungary the day after Germany occupied the Czech lands in the west (and is today part of Ukraine). See more »
The producer expresses his gratitude for the co-operation which he received from the cast, production personnel, newsreel companies, the General Post Office and other documentary film units during the making of this picture. See more »
One can understand why Alexander Korda and his entourage interrupted their work on the marvellous fantasy film "Thief of Bagdad" to construct this patriotic, morale-boosting quickie, "The Lion Has Wings." It's somewhat amusing to see the lovely June Duprez still with her 'vulcan' pointed eyebrows (to make her look more exotic for her princess role in "Thief of Bagdad"). Ralph Richardson and several other officers from "The Four Feathers" are also on hand here, but in then-contemporary uniforms. This is not an 'art' film by any stretch, but it fulfills its purpose and is certainly of interest to anyone who has seen the other two films (aforementioned) as a minor footnote.
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