Violene and death stalk the Chinese of a big American city, but one man, Dr. Chang Ling, and his daughter, Dr. Mary Ling, defy the racketeers who are responsible, and, against terrific odds, bring peace to their oppressed neighbors.
Princess Ling Moy, a young and beautiful Chinese aristocrat lives next door, unbeknownst to her, to Dr. Fu Manchu, a brilliant but twisted genius who is out to rule the world. She is ... See full summary »
Anna May Wong,
Many passengers on the Shanghai Express are more concerned that the notorious Shanghai Lil is on board than the fact that a civil war is going on that may make the trip take more than three... See full summary »
Josef von Sternberg
Anna May Wong
An altered remake of 1933's "White Woman," finds cabaret-singer Kim Ling, daughter of a Chinese general who has been accused of absconding with government funds, arriving in the Straits ... See full summary »
Violence and death stalk the Chinese faction of a large American city, but one man, Dr. Chang Ling, and his daughter, Dr. Mary Ling, defy the racketeers who are responsible and, against terrific odds, bring peace to their oppressed neighbors. Gangland overlord Frank Baturin is shot and only the intervention and operation by Mary Ling saves his life. She performs the operation because it is her duty as a doctor, but she also thinks Baturin was shot by her father following a quarrel with Baturin. The racketeer then sets out for vengeance against the man who had actually tried to kill him in order to take over the Chinatown rackets. Written by
Les Adams <email@example.com>
compact, interesting and progressive Anna May Wong vehicle
This is another of Paramount's Anna May Wong vehicles of B length with much of the same cast we see in her other efforts of that time. It will be of definite interest to her fans. On this occasion, the portrayal of a professional Chinese-American woman of principle and good heart is well handled. In fact, some recent films could play close attention to some of the details here in that regard and learn from them.
Chinese culture and most other issues are also handled in a progressive fashion and not overdone. The cast and the director knows their craft and delivers. All that is satisfying given this is a 30s B movie without the time or resources to develop a lot of deep characters and sub-plots.
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